There was hardly a toy in the filmmaking nursery that Legion and its hugely talented creator Noah Hawley left unplayed by the time its third and final season was over:  aspect ratios, color, camera angles, musical numbers, stop-motion, slow-motion, miniatures, repetitions, multiple exposures, stylized sets–everything short of 3D Imax.  And like many a child […]

Here’s what Aaron Sorkin’s THE NEWSROOM is, for better and very often for worse:  a deadly serious, indeed doggedly self-righteous, primer on how news should be reported and, by extension, how America should be governed, that also includes a Sex and the City gag/salute/parody so moronically shameless that even the people who make the very […]

It isn’t the preference of networks and producers for obvious reasons, but for viewers, there can be something particularly thrilling about a series that finds its greatness after its first season.  Shows like Mad Men, The West Wing, Breaking Bad or for that matter Friends came out of the box fully-formed, and they’re all unquestionably […]

  The signs are foreboding for AGENT CARTER:  not only have the Season 2 ratings gone from lukewarm to frigid, but star Hayley Atwell has signed for another ABC pilot (although since the same studio and network are involved, and Carter only produces a limited number of episodes each season, doing both isn’t impossible).  It […]

  The final season of AMC’s HELL ON WHEELS was a sprawl, made worse by the network’s decision to play the season in two chunks separated by a year.  This last stretch of 7 episodes was particularly choppy.  One hour was a virtual two-hander for hero Cullen Bohannon (Anson Mount) and arch-foe The Swede (Christopher […]

  In a way, COVERT AFFAIRS typifies the uncertain place where USA Network finds itself these days.  The series began in 2010 as one of USA’s mostly light-hearted “blue-sky” procedurals.  It centered around young, naive language expert Annie Walker (Piper Perabo), who was literally seduced into joining the CIA on a beach vacation, and who […]

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]

  NASHVILLE doesn’t make more than a gesture these days toward having very much to say about the music industry, or the place of country music in American culture.  It’s simply a soap, and often an effective one; with this week’s renewal, it’s reached the promised land of a 4th season on the air, buffered […]