NBC’s marathon 90-minute festival of new COMMUNITY episodes tonight (interrupted by the 30 Rock season finale at 8:30) was less an expression of love from the network than a who-cares approach to the night, scheduled that way  because The Office and Parks & Recreation aired their season finales last week, and Community, kept off […]

> The second-season finale of Showtime’s SHAMELESS was unusually low-key for the rambunctious series, the result of having to deal with the aftermath of last week’s Thanksgiving dinner, where bipolar mom Monica (Chloe Webb) very graphically attempted suicide, and of Karen (Laura Wiggins) giving birth to a baby who turned out to have Downs Syndrome.  […]

  After two seasons on the air, WILFRED remains the most confounding show on television–which presumably is just as its makers want it.  The season finale, written by the developer of the US version of the series, David Zuckerman (from a story by Zuckerman and Scott Prendergast) and directed by house director Randall Einhorn, had […]

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conversational pins, and if her non-stop dialogue is to be more than mere verbal choreography, it’s critical that the scenes […]

  Which plotline really grabbed you in Season 4 of GLEE?  Was it Rachel’s (Lea Michele) one-episode pregnancy scare?  Her involvement (unwitting) with a male escort?  Was it the weeks of sullen silence between Mr. Schue (Matthew Morrison) and Finn (Cory Monteith) after Finn impulsively kissed Mr. Schue’s fiance Emma (Jayma Mays)?  Was it Blaine […]

  Every so often, a show comes along that makes you want to run up to random people in the street and yell “Why aren’t you watching this?”  right in their uncomprehending faces.  ORPHAN BLACK probably wasn’t–OK, wasn’t–the season’s best new show; The Americans, for one, was more layered and expertly crafted.  But Orphan, airing in […]

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a repository for scripted burn-offs (this summer’s The Goodwin Games as well as flops like Do No Harm and 666 Park Avenue) and cheap international co-productions (Camp, Crossing Lines, Siberia, Motive, etc) […]

  FOX executives have been swearing to anyone who’ll listen that DADS improved greatly after its much-panned early episodes, so it seemed appropriate to check back in with the show on the occasion of its back-to-back season finale half-hours. And the answer is… no.  Dads ended the season just about as awful as it began, […]