For 3 seasons, Noah Hawley’s FX anthology series FARGO displayed an uncanny ability to channel the unique sensibilities of Joel and Ethan Coen, even while telling original stories with their own idiosyncratic characters.  In Season 4, Hawley seemed to tire of exercising that muscle, and while the season was clearly intended as his nod […]

  THE 100 stood apart from its CW fantasy-adventure counterparts, unique both in its often unexpected (and sometimes ruthless) narrative choices, and in the sense it imparted of true auteurship by series creator Jason Rothenberg.  The fact that the series reached 7 seasons is itself remarkable, as it never approached the ratings echelon of the […]

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assume the occupants were socially distanced) seemed irresistible.  The premise:  a pair of onetime lovers follow through on […]

  Do Westworld‘s creators Jonathan Nolan and Lisa Joy have free will?  This third season of HBO’s was supposed to be fundamentally different from the first two, and certainly things changed in some key ways.  The action was set almost entirely in the “real world” and not the titular park, there were important new characters […]

  No season of Showtime’s HOMELAND ever came close to touching the wild highs of its first, an amazing concoction that managed to combine the tension of a great thriller with constant twists, impossible romance and psychological complexity.  The seven seasons that followed were varyingly up and down, the latter often marked by the apparent […]

  The fourth season of NBC’s THIS IS US wasn’t a standout, relatively speaking, which in a way made the expertise of its execution more clear.  Even when it’s in second gear, Dan Fogelman’s series is constructed and acted so well that it holds its grip on viewers quite well  (This Is Us looked particularly […]

  “I understand why you’re confused,” said the figure who wasn’t Elliot Alderson’s therapist Krista (Gloria Reuben) to the figure who wasn’t Elliot (Rami Malek) toward the end of the finale of Sam Esmail’s series MR ROBOT.  And, well, yeah. This year, we’ve had reason to be reminded how tough endings are to achieve in […]

  Damon Lindelof is fascinated by the elements of storytelling, sometimes to the detriment of the story itself.  It was fitting that a motif of WATCHMEN, both in its Alan Moore/Dave Gibbons 1987 graphic novel version and in Lindelof’s HBO sequel/spin-off, was the construction of watches, because this new version could feel like a fantastically […]