CROSSING LINES: Sunday 10PM on NBC – If Nothing Else Is On… Television’s changing economics will probably lead to a lot more internationally financed co-productions as time goes on. In terms of content, that means subject matter that can be sold worldwide even without an initial US network success, which may require iconic protagonists […]
HART OF DIXIE: Monday 8PM on CW It’s a strange thing to say about an airy, cornpone rom-com, but HART OF DIXIE is the most grounded show on the CW schedule. None of the characters have supernatural powers; there are no secret government agencies or international assassins to be seen; franchises aren’t in play. […]
SHOOTER: Tuesday 10PM on USA – Change the Channel USA Network has had a tough time populating its post-Mr. Robot schedule. Sam Esmail’s series, while not a ratings blockbuster, has been a re-branding triumph, instantly changing the image of USA from the stodgy network of Monk and Royal Pains to something darker, younger, cooler, […]
HERE AND NOW: Sunday 9PM on HBO – In the Queue HERE AND NOW is sort of the Alan Ball/HBO version of The Fosters, which means that its characters are a generation older, it has a lot of sex, a lot of talk, and a lot of angst, and there’s a mystical “mystery” element. […]
THE FOLLOWING: Monday 9PM on FOX (starting Jan 27) The blood-drenched, increasingly grandiose literary pretensions of THE FOLLOWING grew tiresome by the end of last season’s run. It seemed like very good news that in the season finale, Edgar Allen Poe scholar, brutal serial killer and unaccountably irresistible cult leader Joe Carroll (James Purefoy) […]
STATION 19: Thursday 9PM on ABC – In the Queue STATION 19 probably marks the end of an era at ABC: unless a pilot developed under her watch is picked up, it will be the last new Shonda Rhimes series at the network, as she moves on to her huge new deal at Netflix. […]
HANNIBAL: Friday 10PM on NBC With the exception of Twin Peaks, HANNIBAL may well be the strangest drama ever to air on a broadcast network. Created for television by Bryan Fuller as a prequel in the Thomas Harris canon to Red Dragon, it mixes mannered, hushed, often extended dialogue sequences with loving, lingering scenes of […]
SUITS: Thursday 10PM on USA Last season, SUITS took a leap up in class, becoming not just the smartest and most sophisticated show on USA–which, let’s face it, isn’t the highest bar in the business–but making itself worthy of comparison with some of the best shows on anyone’s air, including legal genre colleague The […]