SUITS:  Wednesday 9PM on USA 7 seasons ago, Aaron Korsh’s SUITS was introduced by USA Network as the story of a young con man with a photographic memory named Mike Ross, hired by flashy New York lawyer Harvey Specter (Gabriel Macht) to be his mentee, sidekick and quasi-little brother.  Along the way, Mike became […]

  EUPHORIA:  Sunday 10PM on HBO HBO’s new teen transgression drama EUPHORIA is produced by the indie studio A24, and for those who frequent what’s left of the American indie landscape, most notably the films that come out of Sundance, Euphoria is less revolutionary than it presents itself as being.  The drugs- and porn-saturated world […]

  SOMEWHERE BETWEEN:  Tuesday 10PM on ABC – Change the Channel (Now!) There’s no politically correct way to put this.  ABC’s summer thriller SOMEWHERE BETWEEN hinges on the frantic efforts of TV producer Laura Price (Paula Patton) to stop the murder of her daughter Serena (Aria Birch) after the fact, when Laura is inexplicably transported […]

  USA Network has handed its keys to Sam Esmail and MR. ROBOT, and with good reason.  Although it was only a moderate success in the ratings last year, the series gave creaky old USA a jolt of pure critical adrenaline, becoming a zeitgeist show at a time when the sheer clutter of new television […]

  UNCLE BUCK:  Tuesday 9PM on ABC – Change the Channel ABC’s UNCLE BUCK is exactly what you’d expect from a network sitcom left on the shelf for the entire regular broadcast season, then unloaded two at a time during the summer.  As ABC sitcoms go, it is to Black-ish what Family Tools briefly was […]

  REVERIE:  Wednesday 10PM on NBC In recent seasons, original summer dramas on the broadcast networks have tended to cluster in two varieties:  straightforward procedurals like Rookie Blue and The Night Shift, and fantasy-thrillers like Under the Dome and Extant.  NBC’s new REVERIE, created by Extant‘s Mickey Fisher, tries to mix the genres, with indifferent […]

  OUTCAST:  Friday 10PM on Cinemax – If Nothing Else Is On… The surprise is that it took Cinemax so long to enter the world of TV horror.  With the notable exception of The Knick (and somewhat less notably, the network’s trademark “Skinemax” late-night soft-core programming), all of its original series have been genre pieces, […]

  After an entire season, it’s still not clear just what AMC’s PREACHER intends to be, but it’s been a dazzling ride all the same, sort of a Quentin Tarantino version of a Coen Brothers version of a Luis Bunuel version of the apocalypse.  Every episode has had at least one remarkable set-piece sequence, and […]