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Posts Tagged ‘1950s’
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Reviews

SHOWBUZZDAILY Season Finale Review: “Fargo”

  For 3 seasons, Noah Hawley’s FX anthology series FARGO displayed an uncanny ability to channel the unique sensibilities of Joel and Ethan Coen, even while telling original stories with their own idiosyncratic chara...
by Mitch Salem
 
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Film Festival

THE SHOWBUZZDAILY REVIEW: “On the Road”

  ON THE ROAD – Worth A Ticket – Kerouac’s Classic Is Beautiful and Atmospheric But Lacks Urgency ON THE ROAD, as a novel and now as a film adaptation, is so enmeshed with the mythology of the real-life p...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “The Master”

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus ha...
by Mitch Salem
 
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Pilot Reports

THE SKED SERIES PREMIERE REVIEW: “Masters of Sex”

  MASTERS OF SEX:  Sunday 10PM on Showtime – Potential DVR Alert After the macho angst of Ray Donovan and–notwithstanding its excellence–the heavy going of Homeland, Showtime smartly changes pace with MA...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Masters of Sex”

  Michelle Ashford’s series MASTERS OF SEX has been the extraordinary surprise of the fall television season.  It seemed, on its face, to be dauntingly unpromising.  In telling the story of sex researchers William ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Children Act,” “Suburbicon” & “Chappaquiddick”

  THE CHILDREN ACT (no distrib):  It’s not intended as disparagement to Ian McEwan’s novel and screenplay adaptation, or to Richard Eyre’s film, that THE CHILDREN ACT feels much of the time like it could...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “To The Stars” & “Sister Aimee”

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in ...
by Mitch Salem
 
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