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Pilot Reports

ShowbuzzDaily Series Premiere Review: “American Gods”

  AMERICAN GODS:  Sunday 9PM on Starz – Potential DVR Alert It seems only fair to note upfront, upon the arrival of Bryan Fuller’s new Starz series AMERICAN GODS (created with Michael Green, and based on the n...
by Mitch Salem
 
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Current Release

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Shameless”

  SHAMELESS:  Sunday 9PM on Showtime SHAMELESS often feels like the raging id of its showrunner and (US) creator, pillar of the Hollywood establishment John Wells.  Wells is the man behind ER, the senior producer who gui...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Bergman Island,” “True Things” & “France”

  BERGMAN ISLAND (IFC – Oct. 15):  Mia Hansen-Love’s Bergman Island asks to be poked and scrutinized in several ways.  It takes place on the island of Faro, where Ingmar Bergman filmed some of his most celebr...
by Mitch Salem
 
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Pilot + 1

THE SKED’S PILOT + 1 REVIEW: “Under the Dome”

  UNDER THE DOME:  Monday 10PM on CBS Previously… on UNDER THE DOME:  Well, there’s a giant freaking dome.  One peaceful Sunday afternoon, it suddenly came down over Chester’s Mill, Maine, enveloping t...
by Mitch Salem
 
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Film Festival

Sundance 2023 Reviews: “Cat Person,” “Pretty Baby: Brooke Shields,” & “My Animal”

  CAT PERSON:  It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s ...
by Mitch Salem
 
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Pilot Reports

SHOWBUZZDAILY Series Premiere Review: “The Passage”

  THE PASSAGE:  Monday 9PM on FOX FOX’s THE PASSAGE does to Justin Cronin’s intricate, elaborate trilogy of postapocalyptic thrillers what Hollywood has traditionally done with literary fiction, flattening the...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Mothering Sunday,” “Petite Maman” & “All My Puny Sorrows”

  MOTHERING SUNDAY (Sony Classics – Nov 19):  Eva Husson’s film, adapted by Alice Birch from a Graham Swift novel, has many of the rote trappings of prestige costume drama.  We’re back in the English co...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Power Of The Dog,” “Violet” & “The Story Of My Wife”

  THE POWER OF THE DOG (Netflix – theatrical release Nov 17, streaming Dec 1):  Jane Campion’s first feature in a dozen years is a powerhouse that won’t be to all tastes.  It’s a western that sets...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Worst Person In The World,” “Encounter” & “Compartment No. 6”

  THE WORST PERSON IN THE WORLD (Neon – TBD):  The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Forgiven,” “Dashcam” & “Montana Story”

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Mich...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Humans,” “The Electrical Life of Louis Wain” & “The Wheel”

  THE HUMANS (A24/Showtime – Nov. 24):  There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen.  One is to “open it up,” adding...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Guilty,” “Lakewood” & “The Starling”

  THE GUILTY (Netflix – Oct. 1):  One way to cope with the challenges and costs of movie production during Covid is to limit the number of actors who have to be in front of the camera.  That’s tough for a thr...
by Mitch Salem
 
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