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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Tim Burton’s “Batman”

  It’s been 23 years since the pre-Christopher Nolan version of the Batman franchise launched into the boxoffice stratosphere, and a lot has changed in the movie landscape.  (1989 is so long ago that it was a topica...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Morning Glory”

  On Homevideo and VOD:  At Home In Your Home Morning Glorydidn’t make Rachel McAdams into the new Julia Roberts/Katherine Heigl/Sandra Bullock (it grossed around $53M worldwide), despite the strong pedigree of havi...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Who’s Afraid of Virginia Woolf?”

    Airing on TCM March 24 and April 10:  See It On Any Screen.   The legacy of the late Elizabeth Taylor arises at least as much from her stature as one of the great, iconic Hollywood movie stars (and the proto...
by Mitch Salem
 
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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Tim Burton’s “Batman Returns”

  After the gigantic success of Batman, Tim Burton went on to direct Edward Scissorhands, which although naturally a smaller level of hit, was enormously important to Burton’s career, because it was a very personal p...
by Mitch Salem
 
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SHOWBUZZDAILY RETROSPECTIVE REVIEW: Joel Schumacher’s “Batman Forever”

  As Alex in A Clockwork Orange would say, this is the real and like tragic part of the story beginning, O my brothers.  After Batman Returns undergrossed Batman by $90M in the US, Warners, you might say, freaked out.  A...
by Mitch Salem
 
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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Joel Schumacher’s “Batman & Robin”

  And then this happened. With BATMAN & ROBIN, the franchise that had been reclaimed for adults by Tim Burton in 1989 was turned back over to children (and not bright children) by Joel Schumacher in 1997.  Schumacher ...
by Mitch Salem
 
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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Christopher Nolan’s “Batman Begins”

  To say BATMAN BEGINS successfully rebooted the Warners franchise is accurate, but incomplete.  Christopher Nolan’s film, from the script he wrote with David S. Goyer, is a complete rethinking of the very concept o...
by Mitch Salem
 
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ARCHIVE REVIEWS: “Prince of Persia” and “Moon”

> SOURCE CODE is this weekend’s major live-action opening, so here’s a look at some recent work by its star Jake Gyllenhaal and its director Duncan Jones. Gyllenhaal has had a curious Hollywood career thus far, and ...
by Mitch Salem
 
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THE SHOWBUZZDAILY RETROSPECTIVE REVIEW: Christopher Nolan’s “The Dark Knight”

  If THE DARK KNIGHT had no superhero or comic book trappings–if The Joker were scarred but not hideously made up, and Batman were a bit lower-tech and merely disguised rather than wearing a cowl and cape–Chris...
by Mitch Salem
 
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ZOOM IN: Saoirse Ronan in Joe Wright’s “Atonement”

> Saoirse Ronan stars in Joe Wright’s HANNA, opening April 8. See It On Any Screen Saoirse Ronan only appears in the first 50 minutes or so of Joe Wright’s film of the Ian McEwan novel ATONEMENT, playing the young B...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “The Informant!”

  Airing on Cinemax:  At Home In Your Home With the failure of THE INFORMANT! at the box-office in 2009 (it grossed around $41M worldwide), Steven Soderbergh seemed to reach a crossroads in his career. Informantfollowed t...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “How Do You Know”

On Homevideo and VOD:  Still Not Worth Seeing. James L Brooks is legendarily responsible for some of the great comedies and comedy-dramas of his generation, with a record that stretches from “The Mary Tyler Moore Show...
by Mitch Salem
 
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