Posts Tagged ‘Artist’
 

 

THE BIJOU’S FRIDAY STUDIO SCORECARD – 12/16/11

> The last 2 weeks of the year will almost certainly bring better news for Hollywood, for reasons of tonnage alone:  there are 6 wide openings to come next week, compared to only 3 in the final weeks of 2010.  But for...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Michel Hazanavicius’ “The Artist”

> The Artist is a beautiful film hot-house flower, designed to flourish in the rarefied atmosphere of festivals and gatherings of cineastes. It’s a curio that will be cherished by some, and probably ignored by most of the...
by Mitch Salem
 

 

 

HOLIDAY BOXOFFICE: FRIDAY STUDIO SCORECARD – 12/30/11

> As detailed in Mitch Metcalf’s Boxoffice Report, Friday’s numbers were solid but lacking any breakout excitement.  First, let’s take a quick look at the limited-run Oscar hopefuls: THE IRON LADY (Weinst...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/3/12

> A surprisingly strong start for 2 low-budget arrivals, although the upside is limited by tomorrow’s Super Bowl. OPENINGS:  CHRONICLE (20th) had a slight $350K edge over THE WOMAN IN BLACK (CBS Films) on Friday, and...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/24/12

> Navy SEALs shoot up the Friday boxoffice. OPENINGS:  The very aggressive marketing for ACT OF VALOR (Relativity) made it seem like it was a patriotic duty to see the film, and successfully hid the fact that it’s mo...
by Mitch Salem
 

 
 

SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 3/4/12

> Now the only question is when they announce the start of  pre-production on LORAX 2. OPENINGS:  It turned out THE LORAX (Universal) wasn’t frontloaded at all.  Quite the contrary, its 80% Saturday bump pu...
by Mitch Salem
 

 

 

WEEKEND BOXOFFICE: STUDIO SCORECARD – 1/15/12

> Due to the Martin Luther King holiday on Monday, all studios are estimating low Sunday drops, although some are projecting more aggressively than others. UNIVERSAL:  CONTRABAND held almost even on Saturday, which is good...
by Mitch Salem