Posts Tagged ‘Chris O’Dowd’
 

 

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “St. Vincent”

  ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero.  The image has even attached itself to him professionally:  although he̵...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Novitiate,” “The Incredible Jessica James” & “Marjorie Prime”

  NOVITIATE (Sony Classics):  It’s not clear how much of an audience there can be for a dark drama set amid the physical and psychological hardships of a pre-Vatican II midwestern abbey, but Margaret Betts’s N...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Molly’s Game” & “I Love You, Daddy”

  MOLLY’S GAME (STX):  Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work.  His...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “State Of the Union” & “Fighting With My Family”

  STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Guilty,” “Lakewood” & “The Starling”

  THE GUILTY (Netflix – Oct. 1):  One way to cope with the challenges and costs of movie production during Covid is to limit the number of actors who have to be in front of the camera.  That’s tough for a thr...
by Mitch Salem