Posts Tagged ‘crime’
 

 

THE SKED SEASON FINALE REVIEW: “The Killing”

And finally, after 2 seasons, 26 hours of television, seemingly a hundred red herrings, and enough rain to float the SS Poseidon, THE KILLING revealed who killed Rosie Larsen.  The only thing that was ever worth spoiling on th...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Alcatraz”

> ALCATRAZ was a show–pardon the use of past tense:  the series still has a pulse, but recent ratings make it an increasing longshot for a repeat sentence–that just never found its groove.  Convoluted but ...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “The Closer”

  With the exception of those shows that don’t know they’re about to be canceled, rarely has a long-running series come to less of a conclusion than tonight’s last episode of THE CLOSER.  And with good r...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 2 REVIEW: “Major Crimes”

  MAJOR CRIMES:  Monday 9PM on TNT   A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups w...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Alcatraz”

> Previously… On ALCATRAZ:  San Francisco cop Rebecca Madsen (Sarah Jones), whose partner was recently killed, finds herself embroiled in a mysterious case in which an Alcatraz inmate from 40 years ago, apparently lo...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “CSI”

  CSI:  Wednesday 10PM on CBS   WHERE WE WERE:  This time, as they say, it was personal.  In last season’s finale, imprisoned former Las Vegas Undersheriff and more recently mob boss Jeffrey McKeen (Conor O&#...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...
by Mitch Salem
 

 
 

THE SKED’S SEASON PREMIERE REVIEW: “Law & Order: SVU”

  LAW & ORDER:  SVU:  Wednesday 9PM on NBC WHERE WE WERE:  A turf war between escort services run by Delia (Brooke Smith) and Ganzel (Peter Jacobson) turned murderous, leading to the death of a prostitute and the fo...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Elementary”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Longmire”

  LONGMIRE:  Monday 10PM on A&E LONGMIRE may be the best CBS show not to air on CBS.  A cleanly-executed, straightforward procedural that skews old (3/4 of its viewers are over 50), it’s a show that knows what ...
by Mitch Salem
 

 
 

THE SKED’S BUSTED PILOT THEATRE: “Partners”

> See A Word About Busted Pilots Had it managed to become a full-fledged series, PARTNERS might have been a decent fit with ABC’s other female-oriented crime shows like Castle and Body of Proof, but based on the pilot, it...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Savages”

  SAVAGES:  Watch It At Home – Great Book, OK Movie Don Winslow’s novel SAVAGES is one of the extraordinary reads of recent years.  The plot may sound unremarkable–a mini-war is waged between a couple o...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Weeds”

  WEEDS:  Sunday 10PM on Showtime   WHERE WE WERE:  After a season largely concerned with a battle for supremacy in the New York drug trade, both within and outside the family, there seemed to be a moment of compara...
by Mitch Salem
 

 

 

THE SKED PILOT + 1 REVIEW: “Common Law”

  A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may ...
by Mitch Salem