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Toronto Film Festival 2024 Reviews: “The Assessment” & “Road Diary”

THE ASSESSMENT (no distrib); It seems initially as though Fleur Fortune’s feature directing debut The Assessment will be easy to peg. The script, by John Donnelly and the duo credited as “Mrs and Mr Thoma...

by Mitch Salem

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ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

STUDIO 54 (no distrib): Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an ol...

by Mitch Salem

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SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

HORSE GIRL (Netflix – February 7): Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours. It’s an impressi...

by Mitch Salem

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THE BIJOU REVIEW: “Project Nim” – Planet of the Humans

Our Review / 5 - Terrible

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

EIGHT FOR SILVER: Sean Ellis’s 19th century werewolf movie takes itself very seriously. Ellis has extensively revised the usual mythology of the genre: the full moon doesn’t figure into things, the were...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

GOD’S COUNTRY (no distrib): A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career. When two hunters (Joris Jarsky and Y...

by Mitch Salem

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LIMITED RELEASE: “POM Wonderful Presents The Greatest Movie Ever Sold”

> Watch It At Home: Morgan Spurlock’s latest doc is more stunt than revelation. If Michael Moore were a movie franchise, Morgan Spurlock would be the direct-to-video entry in the series. Or maybe the one that ...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

PALM TREES AND POWER LINES (no distrib): Jamie Dack’s first feature film (from a script written with Audrey Findlay) means to unsettle, and it does. 17-year old Lea (Lily McInerny) is stuck in a dead-end Southe...

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Reviews: “Passing,” “Street Gang” & “Mass”

PASSING: The actress Rebecca Hall has taken a big swing in her writing/directing debut. Her film Passing, based on the 1929 novel by Nella Larsen, embraces ambitious, difficult themes with sensitivity and expertise.�...

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Reviews: “R#J” & “A Glitch In the Matrix”

R#J: Every generation gets its Romeo & Juliet. In Carey Williams’ R#J, the words of Shakespeare are only occasionally heard. Instead, these extremely up-to-date Capulets and Montagues communicate almost ...

by Mitch Salem

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LIMITED RELEASE: “The Double Hour,” “Incendies” & “Cave of Forgotten Dreams”

> Plot spoilers are even more problematic when it comes to limited releases, because by definition they’re only being seen by a few people in certain selected locations, and–if they’re good–will ideally ...

by Mitch Salem

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ShowbuzzDaily Sundance 2022 Review: “My Old School”

MY OLD SCHOOL (no distrib): Although the story is apparently well-known in the UK, here the twisty tale that Jono McLeod unfurls in his documentary would constitute a spoiler, so we’ll leave things vague here. ...

by Mitch Salem

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Sundance 2023 Reviews: “Cat Person,” “Pretty Baby: Brooke Shields,” & “My Animal”

CAT PERSON: It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s ...

by Mitch Salem

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THE BIJOU @ TIFF: Werner Herzog’s “Into the Abyss”

> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog&#...

by Mitch Salem

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SHOWBUZZDAILY Toronto Film Festival Reviews: “Just Mercy,” “Pain & Glory,” “The Personal History of David Copperfield” & “Varda By Agnes”

JUST MERCY (Warners – December 25): As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldf...

by Mitch Salem

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Page 1 of 212

Toronto Film Festival 2024 Reviews: “The Assessment” & “Road Diary”

ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

SHOWBUZZDAILY Sundance Film Festival Reviews: “Horse Girl,” “Happy Happy Joy Joy” & “Kajillionaire”

THE BIJOU REVIEW: “Project Nim” – Planet of the Humans

SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

ShowbuzzDaily Sundance 2022 Reviews: “God’s Country” & “Phoenix Rising”

LIMITED RELEASE: “POM Wonderful Presents The Greatest Movie Ever Sold”

ShowbuzzDaily Sundance 2022 Reviews: “Palm Trees and Power Lines,” “Am I OK?” and “Lucy and Desi”

SHOWBUZZDAILY Virtual Sundance Reviews: “Passing,” “Street Gang” & “Mass”

SHOWBUZZDAILY Virtual Sundance Reviews: “R#J” & “A Glitch In the Matrix”

LIMITED RELEASE: “The Double Hour,” “Incendies” & “Cave of Forgotten Dreams”

ShowbuzzDaily Sundance 2022 Review: “My Old School”

Sundance 2023 Reviews: “Cat Person,” “Pretty Baby: Brooke Shields,” & “My Animal”

THE BIJOU @ TIFF: Werner Herzog’s “Into the Abyss”

SHOWBUZZDAILY Toronto Film Festival Reviews: “Just Mercy,” “Pain & Glory,” “The Personal History of David Copperfield” & “Varda By Agnes”

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