Posts Tagged ‘dysfunctional family’
 

 

THE SKED Season Premiere Review: “Shameless”

  SHAMELESS:  Sunday 9PM on Showtime The Gallagher family is undergoing transitions as Season 4 of Showtime’s SHAMELESS begins, and the tone is considerably less rambunctious than in previous seasons.  That’s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Rebel In the Rye,” “Newness,” “Landline,” “I Don’t Feel At Home,” “Ingrid Goes West” & “Walking Out”

  REBEL IN THE RYE (no distrib):  Danny Strong’s first film as a director is a biography of J. D. Salinger (Nicholas Hoult), and it hits all the Salinger bullet points:  his early struggles to get published, his sp...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Pilot + 1 Review: “The Family”

  THE FAMILY:  Sunday 9PM on ABC Previously… on THE FAMILY:  Ten years after his disappearance and presumed death, a now-teen Adam Warren (Liam James) appears, freshly escaped from what he describes as a decade spe...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Wildlife” & “The Tale”

  WILDLIFE (no distrib):  If you’ve ever felt sorry for youngsters who are cordoned off from their parents’ difficult relationships, and then blindsided by the consequences, Paul Dano’s directing debut a...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “A Tale of Love and Darkness”

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distribu...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “Ray Donovan”

  Replacing a show’s creator with a new showrunner isn’t the preferred way for a series to proceed, but the change did some good for Season 3 of RAY DONOVAN, although tonight’s season finale didn’t ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Good Behavior”

  GOOD BEHAVIOR:  Sunday 10PM on TNT As TNT continues with its scorched-earth policy of shedding its old-guard mainstream successes (Rizzoli & Isles, Major Crimes) for the more adult, serialized dramas favored by netw...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “If Beale Street Could Talk” & “Ben Is Back”

  IF BEALE STREET COULD TALK (Annapurna – November 30):  Barry Jenkins’ follow-up to Moonlight received a rapturous standing ovation at its Toronto premiere, and it’s unquestionably a beautiful piece of ...
by Mitch Salem
 

 

 

THE SKED Summer Finale Review: “Chasing Life”

  CHASING LIFE, which aired its not-quite-half season finale tonight, could better have been titled What Not To Do If You Get Cancer.  That, in itself, isn’t a criticism:  a story about a narcissistic idiot who get...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “Finding Carter”

  In its second season, MTV’s FINDING CARTER made a disappointingly dim argument for sustaining itself beyond its initial premise.  The series remains well-acted, and it has its emotionally pursuasive moments, but i...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Midseason Finale Review: “This Is Us”

  Last week’s episode of NBC’s THIS IS US notched an impressive achievement:  in Live + 7 ratings, it moved past Empire to become the highest rated drama on broadcast TV.  Admittedly, L7 ratings aren’t ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Virtual Toronto Film Festival Reviews

  This was a Toronto Film Festival unlike any other, and not just because I “attended” it from the laptop in my house.  Toronto has become an important stop on the road to the Academy Awards, with 9 of the pas...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE FILM REVIEW: “Hellion”

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Shameless”

  SHAMELESS:  Sunday 9PM on Showtime John Wells comes from the broadcast network school of showrunning, where he kept ER going for 22 (or more) episodes per year for more than a decade, and barely missed a beat when Aaron...
by Mitch Salem
 

 

 

THE SKED Midseason Premiere Review: “Dallas”

  DALLAS:  Monday 9PM on TNT As TNT pushes its action-oriented “Boom” branding campaign (successfully with The Last Ship, not so much with Murder In the First nor apparently the new Legends), DALLAS seems more...
by Mitch Salem