Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Hobbit: The Desolation of Smaug”

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilog...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 

 

 

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “Top Five”

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear f...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Counselor”

  THE COUNSELOR:  Not Even For Free – A Deluxe Pedigree, But Only Cut-Rate Nihilism The first “uh-oh” moment in THE COUNSELOR comes early, perhaps 10 minutes in.  We’ve barely been introduced to R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: The Hunger Games: Catching Fire”

  THE HUNGER GAMES: CATCHING FIRE:  Buy A Ticket – The Odds Remain in This Franchise’s Favor Gary Ross did a fine, gritty job as director and co-writer of the first Hunger Games adaptation, one especially attu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Interstellar”

  INTERSTELLAR:  Worth A Ticket – Christopher Nolan’s Imperfect Odyssey Remember A.I.: Artificial Intelligence?  It was the deeply odd sci-fi/fairy tale quasi-collaboration between Stanley Kubrick and Steve...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Can A Song Save Your Life?”

  Less intimate but perhaps even more irresistible than his micro-indie smash Once, John Carney’s follow-up CAN A SONG SAVE YOUR LIFE? plays a similar tune with broader orchestrations.  The city this time is New ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Endless Love”

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Mar...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Freeheld”

  Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story.  Not ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY REVIEW: “Ender’s Game”

  ENDER’S GAME:  Watch It At Home – Breaks The Rules, But Doesn’t Win the Game You don’t often see a $110M (plus marketing) YA adventure, intended to kick off a new movie franchise, as resolutely o...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Oldboy”

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a raptu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “A Tale of Love and Darkness”

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distribu...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Dallas Buyers Club”

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. �...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “The Grand Budapest Hotel”

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of...
by Mitch Salem