Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Hobbit: The Desolation of Smaug”

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilog...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “Top Five”

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear f...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Counselor”

  THE COUNSELOR:  Not Even For Free – A Deluxe Pedigree, But Only Cut-Rate Nihilism The first “uh-oh” moment in THE COUNSELOR comes early, perhaps 10 minutes in.  We’ve barely been introduced to R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 

 

 

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Maleficent”

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Room”

  Despite its compact scale, Emma Donoghue’s bestselling novel ROOM was a daunting candidate for film adaptation, because so much of its impact depends on its very specific narrator’s voice, a 5-year old named ...
by Mitch Salem
 

 

 

AFI FEST Film Review: “Inside Llewyn Davis”

  INSIDE LLEWYN DAVIS:  Buy A Ticket – 1960s Folk Music A La The Coens INSIDE LLEWYN DAVIS, which screened as the Closing Night presentation of the AFI Film Festival in advance of its regular run next month, is Joe...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “The Sleepwalker”

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artisti...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “The Martian”

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly craft...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Under the Skin”

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually b...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “A Million Ways To Die In the West”

  A MILLION WAYS TO DIE IN THE WEST:  Not Even For Free – They Don’t Include “Die Laughing” Seth MacFarlane, out from behind his high-concept animated and fantasy premises, has a surprisingly retr...
by Mitch Salem
 

 

 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem