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SHOWBUZZDAILY FILM REVIEW: “The Hobbit: The Desolation of Smaug”

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilog...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto 2014 Review: “Top Five”

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear f...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Counselor”

  THE COUNSELOR:  Not Even For Free – A Deluxe Pedigree, But Only Cut-Rate Nihilism The first “uh-oh” moment in THE COUNSELOR comes early, perhaps 10 minutes in.  We’ve barely been introduced to R...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 
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Current Release

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “The Skeleton Twins”

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whe...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “Sicario”

  The director Denis Villenueve has been staking out some interesting Hollywood territory for himself.  His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “X-Men: Days of Future Past”

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto Film Festival Review: “Black Mass”

  Scott Cooper’s BLACK MASS is a beautifully put together and wonderfully acted true-life drama about Boston gangsters and the law, but it has a void at its center that holds it back from greatness.  That center isn...
by Mitch Salem
 
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Current Release

AFI FEST Film Review: “Lone Survivor”

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “Nightcrawler”

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers,...
by Mitch Salem
 
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Current Release

TORONTO FILM FESTIVAL REVIEW: “Prisoners”

  The prevailing atmosphere in Denis Villenueve’s PRISONERS will be familiar to anyone who’s been watching cable TV drama for the past few years.  Gloom, grief, hopelessness, helpless rage–it’s h...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Happy Christmas”

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the sta...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “The Lobster”

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult m...
by Mitch Salem
 
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