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Film Festival

SHOWBUZZDAILY Sundance Film Reviews: “Worth,” “Dream Horse” & “Uncle Frank”

  WORTH (no distrib):  A dry but fascinating angle on the story of 9/11, Worth centers on the real-life Ken Feinberg (Michael Keaton), an attorney with a very specific expertise:  he and his firm calculated and negotiate...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “Lucy In the Sky”

  LUCY IN THE SKY (Fox Searchlight/Disney – October 4):  Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector.  Hawley’s X-Men o...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily’s Sundance Film Festival Reviews: “Ophelia” & “Burden”

  OPHELIA (no distrib):  Claire McCarthy’s film, written by Semi Chellas from Lisa Klein’s novel, dampens the fun of its own concept.  The idea is to re-tell Hamlet through the eyes of Shakespeare’s ill...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Knives Out” & “A Beautiful Day In The Neighborhood”

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you thi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Land,” “Together Together” & “Marvelous and the Black Hole”

  MARVELOUS AND THE BLACK HOLE:  Goodhearted YA comfort food.  Kate Tsang’s feature debut is about 13-year old Sammy (Miya Cech), who has become surly and rebellious toward her father Angus (Leonardo Nam) and siste...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Just Mercy,” “Pain & Glory,” “The Personal History of David Copperfield” & “Varda By Agnes”

  JUST MERCY (Warners – December 25):  As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldf...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Judy” & “Motherless Brooklyn”

  JUDY (Roadside – September 27):  Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render servic...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “American Animals” & “The Kindergarten Teacher”

  AMERICAN ANIMALS (no distrib):  It’s not easy to come up with a new spin on the venerable heist movie genre, but writer/director Bart Layton has managed just that with American Animals.  Layton had been until now...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “CODA” & “Censor”

  A year ago, the idea of a “virtual film festival” would have seemed extremely far-fetched, but it’s become a regular practice in pandemic times.  The latest festival to take this path is Sundance, whic...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Monster” & “Beirut”

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s goin...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “In the Earth” & “Knocking”

  IN THE EARTH (Neon):  After his foray into more commercial cinema with the Netflix remake of Rebecca that didn’t go very well, Ben Wheatley has returned to the stranger and more experimental style of his earlier f...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Studio 54″” & “What They Had”

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an ol...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Waves” & “Uncut Gems”

  WAVES (A24 – November 1):  Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Eight For Silver” & “The Sparks Brothers”

  EIGHT FOR SILVER:  Sean Ellis’s 19th century werewolf movie takes itself very seriously.  Ellis has extensively revised the usual mythology of the genre:  the full moon doesn’t figure into things, the were...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Ford vs. Ferrari” & “The Laundromat”

  FORD VS. FERRARI (20th Century Fox/Disney – November 15):  If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake a...
by Mitch Salem
 
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