Posts Tagged ‘HBO Sunday’
 

 

THE SKED Pilot + 1 Review: “The Leftovers”

  THE LEFTOVERS:  Sunday 10PM on HBO Previously… on THE LEFTOVERS:  3 years ago, 2% of the world’s population simultaneously and spontaneously vanished, in what may have been the Rapture (albeit a Rapture tha...
by Mitch Salem
 

 
 

THE SKED Series Finale Review: “Treme”

  TV is a little poorer for the loss of TREME, a series that never fully received the appreciation–from viewers or critics–that it deserved.  Even a bit watered down from its usual density in a last season of ...
by Mitch Salem
 

 

 

THE SKED Pilot + 1 Review: “Hello Ladies”

  HELLO LADIES:  Sunday 10:30PM on HBO Previously… on HELLO LADIES:  Stephen (Stephen Merchant) is a British web designer who lives in LA, where he has a very nice house and two friends:  woeful, newly-separated W...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Boardwalk Empire”

  It’s a continuing paradox that a show could have as many colorful characters, so terrific a cast, as much plot and incident and history (not to mention sex and violence) and visual style as BOARDWALK EMPIRE does an...
by Mitch Salem
 

 

 

THE SKED Series Finale Review: “True Blood”

  Before the final 2 weeks of its run, the word no one would ever have dreamed of attaching to TRUE BLOOD was “subdued”; it was the guilty pleasure HBO series that was loaded with sex and violence and got great...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Eastbound & Down”

  EASTBOUND & DOWN:  Sunday 10PM on HBO EASTBOUND & DOWN is an acquired taste that, to be honest, I’ve never quite acquired.  Not that the show hasn’t made me laugh, not that I fail to recognize the g...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Girls”

  Throughout its third season, reactions to GIRLS seemed to depend to a large extent on the particular vision of the series that viewers had.  Season 3 of Lena Dunham’s show was notably less conceptual and experimen...
by Mitch Salem
 

 
 

THE SKED Pilot + 1 Review: “Getting On”

  GETTING ON:  Sunday 10PM on HBO Previously on… GETTING ON:  At a geriatric extended care ward in a Los Angeles hospital, Nurses Dawn (Alex Borstein) and Didi (Niecy Nash) attempt to cope with bureaucracy, their n...
by Mitch Salem
 

 

 

THE SKED Series Premiere Review: “The Leftovers”

  THE LEFTOVERS:  Sunday 10PM on HBO – Potential DVR Alert Part of the HBO mystique–what helps keep it so not-TV-ish–is the caliber of shows it doesn’t put on the air.  An adaptation of Jonathan F...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Silicon Valley”

  SILICON VALLEY:  Sunday 10PM on HBO – DVR Alert There’s no algorithm (yet) to predict compatibility between TV series, so we don’t know yet how SILICON VALLEY will fare in the ratings, or for that matt...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Silicon Valley”

  While not as loudly buzzy as Girls, SILICON VALLEY has been far more popular, indeed HBO’s highest-performing new comedy in quite a while (the fact that it follows the massive Game of Thrones on the network’s...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Veep”

  VEEP:  Sunday 10:30PM on HBO VEEP, television’s most scintillatingly vicious comedy, returned with a relatively mild Season 3 premiere by its standards.  Largely that was because the script, written by Supervisin...
by Mitch Salem
 

 

 

THE SKED Series Premiere Review: “Getting On”

  GETTING ON:  Sunday 10PM on HBO – Worth A Look It’s probably safe to assume that when a network launches a short run of a new series to air only during the holiday season, and that show isn’t at all ho...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Looking”

  LOOKING:  Sunday 10:30PM on HBO – Worth A Look HBO’s LOOKING is distinctive for the obvious reason that it’s a dramedy about gay characters, of a completely different order than the network universe of...
by Mitch Salem
 

 

 

THE SKED Season Premiere Review: “Girls”

  GIRLS:  Sunday 10PM on HBO GIRLS is coming off a notably rocky second season, one in which Lena Dunham seemed to take up and abandon narrative structures and tones with the same disregard for consequence that her charac...
by Mitch Salem