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ShowbuzzDaily Sundance Film Festival Reviews: “Come Sunday” & “The Miseducation of Cameron Post”

COME SUNDAY (Netflix): American films that feature religious figures tend to come in two varieties: the cloying “faith-based” dramas that play quite literally to the choir, and the “edgy” film...

by Mitch Salem

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SHOWBUZZDAILY Season Premiere Review: “Atlanta”

ATLANTA: Wednesday 10PM on FX Season 1 of Donald Glover’s FX series ATLANTA was, among other things, a show that went in so many directions after its premiere that judging it from its opening half-hour proved to ...

by Mitch Salem

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SHOWBUZZDAILY Season Finale Review: “Atlanta”

When FX’s ATLANTA began its 2nd season at the beginning of March, it seemed like a big enough deal to note that with the departures of Louis C.K. and Ryan Murphy (for very different reasons), Atlanta‘s creato...

by Mitch Salem

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SHOWBUZZDAILY Toronto Film Festival Reviews: “Waves” & “Uncut Gems”

WAVES (A24 – November 1): Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded...

by Mitch Salem

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SHOWBUZZDAILY Virtual Sundance Review: “Judas and the Black Messiah”

JUDAS AND THE BLACK MESSIAH (Warners/HBO Max – February 12): The title refers to the FBI informant Bill O’Neal (played here by LaKeith Stanfield) and the Illinois Black Panthers leader Fred Hampton (Daniel ...

by Mitch Salem

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ShowbuzzDaily Sundance Film Festival Reviews: “Come Sunday” & “The Miseducation of Cameron Post”

SHOWBUZZDAILY Season Premiere Review: “Atlanta”

SHOWBUZZDAILY Season Finale Review: “Atlanta”

SHOWBUZZDAILY Toronto Film Festival Reviews: “Waves” & “Uncut Gems”

SHOWBUZZDAILY Virtual Sundance Review: “Judas and the Black Messiah”

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