Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Internship”

  THE INTERNSHIP:  Watch It At Home – No Search Engine Necessary To Predict the Plot Vince Vaughn has been playing his motormouth-with-a-heart-of-gold character pretty much non-stop since Swingers in 1996.  That...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Now You See Me”

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this sea...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “After Earth”

  AFTER EARTH:  Not Even For Free – The Smith Family In Outer Space In AFTER EARTH, Will Smith plays Cypher Raige, an emotionally austere father who withholds affection from his son because of his doubt that the boy...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Behind the Candelabra”

  We’re gradually discovering that Steven Soderbergh’s definition of “retirement” from filmmaking is a fairly narrow one.  It was recently announced that he plans to direct a new series for Cinemax...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “Fast & Furious 6”

  It’s almost unheard-of for a franchise to need 5 installments to hit its stride, but that was the case with 2011’s Fast Five.  After kicking around with its first, moderately successful quartet in various lo...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “Star Trek: Into Darkness”

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek fra...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “The Great Gatsby”

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apat...
by Mitch Salem
 

 
 

SHOWBUZZDAILY MOVIE REVIEW: “Iron Man 3”

  IRON MAN 3:  Watch It At Home – Offbeat But Uneven Tentpole The last thing on earth that Shane Black, the co-writer (with Drew Pearce) and director of IRON MAN THREE (the way the credits spell it) seems to have wa...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY MOVIE REVIEW: “Pain and Gain”

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, ho...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY VOD REVIEW: “To The Wonder”

  TO THE WONDER:  Malick Twirls and Twirls and Doesn’t Get Anywhere Terrence Malick’s last film The Tree of Life was nominated for the Academy Award for Best Picture; his new TO THE WONDER is receiving only a ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Oblivion”

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to sp...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Upstream Color”

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surpris...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “42”

  42:  Watch It At Home – The Hallmark Baseball Hall of Fame It may well be that 42 is the Jackie Robinson movie audiences want.  It’s a straightforward, handsomely-produced, inspirational telling of a genuin...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Evil Dead”

  EVIL DEAD:  Watch It At Home – Plenty of Icky, Not So Much Scary A slick, Hollywood-budgeted remake of Sam Raimi’s 1981 EVIL DEAD (actually there was a ‘the” in front of that one, the definite ar...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Trance”

  TRANCE:  Watch It At Home – Tricky But Unsatisfying Thriller From Danny Boyle TRANCE is both extremely clever and remarkably stupid.  I wish I could explain exactly how, but Danny Boyle’s thriller, written ...
by Mitch Salem