Posts Tagged ‘movie review’
 

 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Jack Reacher”

  JACK REACHER:  Watch It At Home – Next on TNT:  Tom Cruise If Tom Cruise’s career ever takes him to do a TV pilot, it would be a lot like JACK REACHER.  And not a classy, sophisticated pilot for AMC or H...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Inevitable Defeat of Mister and Pete”

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going witho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “World War Z”

  WORLD WAR Z:  Watch It At Home – Third Act Heroics, In More Ways Than One The travails of WORLD WAR Z on the way to the screen have been widely discussed, and in the end the misshapen, Frankenstein-like $200M (plu...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “No One Lives”

  As movie bloodbaths go, NO ONE LIVES is almost–but not quite–clever enough to be worth seeing. We start with a backwoods family of petty outlaws, headed by father Hoag (Lee Tergesen) and including his wife, b...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Croods”

  THE CROODS:  Watch It At Home – Prehistoric Sitcom’s Bland Storyline Doesn’t Evolve Hollywood already has a thriving CG-animated prehistoric franchise in the Ice Age series, but DreamWorks Animation ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Conjuring”

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes do...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Bad Words”

  BAD WORDS:  Watch It At Home – Hilarious, For a While BAD WORDS eventually has to spell out its plot, and that’s when, like many an initially enthusiastic competitor, it fades, becoming increasingly soft and...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Life of Pi”

  LIFE OF PI:  Worth A Ticket – A Floating Display of Visual Marvels A boy and a Bengal tiger get into a lifeboat… The digital paintbox now available to filmmakers provides an almost limitless variety of visua...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Don Jon’s Addiction”

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulle...
by Mitch Salem
 

 

 

SHOWBUZZDAILY MOVIE REVIEW: “Star Trek: Into Darkness”

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek fra...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Thor: The Dark World”

  THOR: THE DARK WORLD:  Watch It At Home – The Universe Is In Danger! (Yawn) Massive superhero adventures are now so plentiful that they’re a genre unto themselves.  Within Marvel’s Avengers universe, ...
by Mitch Salem
 

 

 

Sundance 2023 Review: “Fair Play”

  In a generally depressed indie film market, Netflix shelled out a reported $20M at Sundance for Chloe Domont’s feature writing/directing debut FAIR PLAY.  The splurge made sense:  Fair Play has that combination o...
by Mitch Salem