LIVING (no distrib): Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the le...
SARAH’S KEY – Watch It At Home: Misses a Difficult Mark There may be no cinematic minefield more dangerous for filmmakers than the Holocaust. For films entering that difficult territory, the...
BEAUTIFUL CREATURES: Watch It At Home – Many Witches, Little Magic BEAUTIFUL CREATURES can’t be dismissed as merely an overlong TV episode meant for the CW, but it never really comes together, either. Ric...
ON CHESIL BEACH (no distrib): Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke. ...
SHARP STICK (no distrib): Lena Dunham is certainly no stranger to the concept of art as provocation, but it’s difficult to understand what Sharp Stick, her first feature film in a dozen years, and her first solo ...
CHRONICLE – Worth A Ticket – “Found Footage” That Deserves to Be Found Over the past decade, audience hunger for “reality”–the word very much in quotation marks–ha...
PUNCTURE: Worth A Ticket – A Bracingly Dark Ride No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around. “Unaccount...
KILLER ELITE: Watch It At Home – Neither Killer Nor Elite The new KILLER ELITE takes little from Sam Peckinpah’s 1975 action movie apart from its title (Peckinpah used “The” in his) and the gene...
Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot?...