Posts Tagged ‘mystery’
 

 

THE SKED SEASON FINALE REVIEW: “King & Maxwell”

  KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Rizzoli & Isles”

  RIZZOLI & ISLES:  Tuesday 9PM on TNT TNT set the last cornerstone of its extensive but unambitious summer schedule in place with tonight’s return of RIZZOLI & ISLES, one of the network’s mainstays, n...
by Mitch Salem
 

 

 

THE SKED Pilot Review: “Resurrection”

  RESURRECTION:  Sunday 9PM on ABC  – Potential DVR Alert The restrained tension of RESURRECTION‘s pilot may remind you of early, suburban Spielberg, and of M. Night Shyamalan before he became a punchline. ...
by Mitch Salem
 

 
 

THE SKED SERIES PREMIERE REVIEW: “Low Winter Sun”

  LOW WINTER SUN:  Sunday 10PM on AMC – Potential DVR Alert It’s been more than a decade since The Shield introduced US television to not just corrupt, but murderous cops as protagonists, and–well, it...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “One For the Money”

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of r...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Falling Water”

  FALLING WATER:  Thurs 10PM on USA – If Nothing Else Is On… The pilot for USA’s FALLING WATER is flashy, but it doesn’t have much on its mind.  The project has had an extended period of develop...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Elementary”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Side Effects”

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Tinker, Tailor, Soldier, Spy”

  TINKER, TAILOR, SOLDIER, SPY:  Worth A Ticket – An Epic of Betrayals   John LeCarre is (I guess one should say “arguably”) the greatest of all spy novelists, and his 1974 TINKER, TAILOR, SOLDIER, ...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Copper”

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apa...
by Mitch Salem
 

 

 

THE SKED’S BUSTED PILOT THEATRE: “Poe”

> See A Word About Busted Pilots We round out our survey of some of the more notable busted pilots of the season with the distinctive POE, produced by Warner Bros Television for ABC and written by Chris Hollier (a former writer...
by Mitch Salem
 

 
 

THE SKED SERIES PREMIERE REVIEW: “The Bridge”

  THE BRIDGE:  Wednesday 10PM on FX – DVR Alert FX has assumed a leadership role in the development of serious, ambitious TV drama over the past decade (The Shield, Rescue Me, The Americans), and with its new series...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: SHOWBUZZDAILY Pilot Review – “How To Get Away With Murder”

  HOW TO GET AWAY WITH MURDER:  Thursday 10PM on ABC – Potential DVR Alert PLAYERS:  Executive Producer Shonda Rhimes–and you can repeat that name several more times without overstating her importance.  The ...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Copper”

  COPPER:  Sunday 10PM on BBCAmerica – If Nothing Else Is On… A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team i...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Lincoln Lawyer”

  Worth a ticket.   It’s a little mysterious that Michael Connelly’s trim, twisty crime novels have so rarely hit the screen. Perhaps it was the tepid reception received by Blood Work in 2002, unfortunatel...
by Mitch Salem