Posts Tagged ‘network scorecard’
 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 3/9/12

> A preview of next season’s schedule? CBS:  The network experimented with a new episode of THE MENTALIST at 9PM, and while the 2.0 rating was 20% below the show’s Thursday season low, Friday offers fewer avail...
by Mitch Salem
 

 
 

THE SKED THURSDAY NETWORK SCORECARD – 3/8/12

> AWAKE is getting sleepy. NBC:  A 20% drop from a series premiere isn’t ordinarily anything shocking or particularly worrisome.  But when you start with a 2.0 the way AWAKE did, that leaves you with a 1.6 in We...
by Mitch Salem
 

 

 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 3/7/12

> Viewers could tell that REVENGE wasn’t FOR REAL. ABC:  Serialized dramas repeat notoriously badly, so the network had the clever idea of filling in the spring schedule gap with a “news” show about true-...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 3/6/12

> FOX’s 4-sitcom Tuesday excited no one. FOX:  I HATE MY TEENAGE DAUGHTER and BREAKING IN made unimpressive returns to the schedule.  Daughter could claim a decent retention of its RAISING HOPE lead-in, and it a...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 3/5/12

> SMASHWatch is grinning this morning, but should it be? NBC:  Airing against repeats on both of the other networks, SMASH was up a big 0.4 to 2.7, a healthy number for any 10PM drama these days.  So… yay? ...
by Mitch Salem
 

 
 

THE SKED SUNDAY NETWORK SCORECARD – 3/4/12

> Maybe ABC should have left “Bitches” in the title. ABC:  GCB (aka Good Christian Bitches, aka Good Christian Belles) had a very unimpressive debut, a 2.2 that was way below Pan Am‘s premiere in the fall...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD – 3/2/12

> Adieu, GIFTED MAN. CBS:  The season finale of A GIFTED MAN ticked up a bit to a 1.4, but while that would be great news for, say, Fringe, don’t get your hopes up for Man‘s renewal.  A far more telling si...
by Mitch Salem
 

 
 

THE SKED’S THURSDAY NETWORK SCORECARD – 3/1/12

> AWAKE didn’t keep anyone from a full night’s sleep. NBC:  In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is:  AWAKE won its time slot, it was up from i...
by Mitch Salem
 

 

 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 2/29/12

> February Sweeps go out not with a bang, but with the other thing. ABC:  The first “midseason arc” episode of REVENGE looked almost exactly like all the other episodes, so it was fitting that the rating stayed...
by Mitch Salem
 

 
 

THE SKED’S TUESDAY NETWORK SCORECARD – 2/28/12

> Did PARENTHOOD buy itself another season? NBC:  Creatively, PARENTHOOD‘s season finale wasn’t the show at its best (too many storyline conclusions crammed into too little time).  But its 1.9 rating built...
by Mitch Salem
 

 

 

THE SKED’S FRIDAY NETWORK SCORECARD 2/24/12

> FRINGE, having watched Monty Python & the Holy Grail, shouts “I’m not dead!” as the gravediggers try to take it away. CBS:  An extremely soft win for the night (1.6 average).  UNDERCOVER BOSS w...
by Mitch Salem
 

 
 

THE SKED’S THURSDAY NETWORK SCORECARD – 2/23/12

> Ow, says FOX.  See FOX say Ow. FOX:  AMERICAN IDOL‘s 4.4 rating was its lowest since the show began as a summer series 10 years ago.  That was down 14% from last week, 38% from the first hour of last year...
by Mitch Salem
 

 

 

THE SKED’S TUESDAY NETWORK SCORECARD – 2/21/12

> GLEE looks at a shark and considers taking a jump. FOX:  Despite perhaps the most melodramatic midseason finale of any “comedy’ in TV history (a suicide attempt, an as-yet unexplained pregnancy, and a dead-or...
by Mitch Salem
 

 
 

THE SKED’S MONDAY NETWORK SCORECARD – 2/20/12

> So much for SMASH being a hit. NBC:  Leaving the numbers aside for a moment, on a dramatic level SMASH after 3 episodes is starting to lose its practically-cable sheen, and look a lot more like a high-class ABC soap.&nbs...
by Mitch Salem
 

 

 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 2/15/12

>REVENGE… not so sweet.ABC: It was finally time for Revenge to wind itself back around and reach the flashforward that started the pilot, climaxing the series’ initial plotline, but viewers weren’t all that in...
by Mitch Salem