Posts Tagged ‘overseas box office’
 

 

Behind the US/Worldwide Weekend Box Office – 7.30.2017

  OPENINGS:  Word of mouth caught up with THE EMOJI MOVIE (Columbia/Sony) on Saturday, with a 14% drop (by comparison, Captain Underpants rose 11% on its 2d day of release, and last year’s Angry Birds Movie jumped 4...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.5.17

  OPENINGS:  It’s still too soon to gauge whether RINGS (Paramount) can creep its way to breakeven with international help (total production/marketing costs are $75M+), but it’s certainly not performing well e...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1/22/17

  OPENINGS:  Things couldn’t have gone better for M. Night Shyamalan’s SPLIT (Blumhouse/Universal).  It built on its strong Friday with a 13% bump, extremely good for a horror movie, and is estimating $40.2M ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11/13/16

  OPENINGS:  The box office was boosted in general by Veterans Day, which gave many Americans a 3-day weekend, but ARRIVAL (FilmNation/Sony/Paramount) was still notably impressive with a $24M weekend at a mid-wide 2317 th...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 1/25/15

  AMERICAN SNIPER (Village Roadshow/Warners):  Depending on how one characterizes Titanic, American Sniper is on track to become the #3 or #4 “serious drama” of all time, behind that film, The Passion of the C...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11/9/14

  OPENINGS:  BIG HERO 6 (Disney) was a convincing winner in the US, riding a 52% Saturday bump to a $56.2M weekend.  Word of mouth can be expected to be strong, and there’s no reason to think Big Hero 6 won’t...
by Mitch Salem
 

 

 

Behind the Weekend US/Worldwide Box Office – 10/26/14

  OPENINGS:  Cheap PG-13 horror movies are the assembly-line workers of the studios, rarely resulting in showy profits, but paying the bills between blockbusters.  OUIJA (Universal) and its $20.006M opening (we’ll ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10/19/14

  OPENINGS:  The $23.5M opening for FURY (QED/Columbia/Sony) puts it at risk of being passed next weekend by the low-grade Keanu Reeves vehicle John Wick.  Fury has the distinction of being the lowest-grossing movie to o...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8/3/14

  OPENINGS:  The world, if not the galaxy, belonged to GUARDIANS OF THE GALAXY (Marvel/Disney) this weekend.  In the US, its $94M start (as is typical, Disney estimated an aggressively strong Sunday, down just 19% from S...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOX OFFICE – 7/28/13

  OPENINGS:   Two smart studio decisions bailed out what could have been a scary opening weekend for THE WOLVERINE (20th).  Fox kept the budget relatively low for its expensive genre, just $250M or so including worldwid...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOX OFFICE: 7/6/13

  OPENINGS:  DESPICABLE ME 2 (Universal) had an even better weekend overseas than it did in the US, with $88.8M (in 45 markets, with plenty more major ones to come) vs $82.5M.  (Of course, in the US it also had the benef...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 6/23/13

  OPENINGS:  Allowing for the usual studio practice of predicting lower-than-typical Sunday drops to boost the numbers a bit, MONSTERS UNIVERSITY (Disney/Pixar) opened in line with expectations at what may be slightly les...
by Mitch Salem
 

 

 

BEHIND THE WEEKEND BOXOFFICE – 6/16/13

  OPENINGS:  In some ways, the most important number of the weekend was the $71.6M that MAN OF STEEL (Warners) earned outside the US and Canada.  Although it’s lower than the $113.1M domestic weekend ($125.1 with T...
by Mitch Salem
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 4/28/13

  OPENINGS:  The biggest story of the weekend took place off American shores, as IRON MAN 3 (Disney) topped all expectations to open with a fantastic $195.3M in 42 territories (China and Russia are the notable ones still ...
by Mitch Salem