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THE BIJOU: “Submarine”

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “The Five-Year Engagement”



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Our Review 3 / 5 - Above Average
by Mitch Salem
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Articles

SHOWBUZZDAILY @ PALEYFEST 2012: “The Vampire Diaries”

> When the PaleyFest panels end, cast members often linger for a bit to sign autographs and otherwise make contact with the fans.  Therefore when the moderator says “Thank you” and the lights go up, there’...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY LA FILM FEST REVIEW: “Ruby Sparks”

  RUBY SPARKS:  Worth A Ticket – A Narrative Feat   Woody Allen is one of the most influential figures in modern independent film, but his ghost is usually evident in the many romantic comedy-dramas we get each...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Hart of Dixie”

  HART OF DIXIE barely survived the hunger games known as network scheduling season this year–it won’t be back until midseason, with an abbreviated (and probably final) set of episodes, and even then only so it...
by Mitch Salem
 
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Midseason Pilots

THE SKED Pilot Review: “Star-Crossed”

  STAR-CROSSED:  Monday 8PM on CW – Change the Channel If aliens are in high school, we must be on CW.  The network’s midseason entry STAR-CROSSED plays as a clip reel of CW’s greatest hits, from the su...
by Mitch Salem
 
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Pilot + 1

THE SKED’S PILOT + 1 REVIEW: “Nashville”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “The Spectacular Now”

  The screenplay for THE SPECTACULAR NOW, a Dramatic Competition entry at Sundance, was written by the team of Scott Neustadter and Michael H. Weber, who also wrote (500) Days of Summer, but the new film has none of the b...
by Mitch Salem
 
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THE BIJOU REVIEW: “Another Earth” – Deep Space





Our Review / 5 - Terrible
by Mitch Salem
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THE BIJOU @ TIFF: “The Deep Blue Sea”

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.” ...
by Mitch Salem
 
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Articles

THE SKED’S PILOT + 1 REVIEW: “Bent”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Beauty & the Beast”

  It helps, when watching CW’s BEAUTY & THE BEAST, not to think too much about “Beauty and the Beast”.  Not the 1987 TV show, and certainly not the movies and other adaptations of the story.  Jay Ry...
by Mitch Salem
 
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THE BIJOU @ TIFF: Gus Van Sant’s “Restless”

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearin...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “The Necessary Death of Charlie Countryman”

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true,...
by Mitch Salem
 
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Articles

THE SKED’S PILOT + 1 REVIEW: “The Secret Circle”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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