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THE SHOWBUZZDAILY REVIEW: “Side Effects”

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Band Aid,” “The Discovery” & “Golden Exits”

  THE DISCOVERY (Netflix):  Charlie McDowell’s first film was the ingenious metaphysical farce The One I Love, so there was plenty of reason to eagerly anticipate his follow-up.  He (and, once again, co-writer Just...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Women Talking” & “Saint Omer”

  WOMEN TALKING (UA/MGM/Amazon – December 9):  In an insular Mennonite community, the woman have always believed what the men told them, that when they awake to discover evidence of sexual assault and thereafter som...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL Day 3 Capsule Reviews: A Monster Calls, Lion, The Bleeder, Colossal & Elle

  COLOSSAL (no distrib):  Well, you haven’t seen this take on sci-fi spectacles before.  In Nacho Vigalondo’s whatzit, party girl Gloria (Anne Hathaway) and her hometown friend Oscar (Jason Sudeikis) discover...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 
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