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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Internship”

  THE INTERNSHIP:  Watch It At Home – No Search Engine Necessary To Predict the Plot Vince Vaughn has been playing his motormouth-with-a-heart-of-gold character pretty much non-stop since Swingers in 1996.  That...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “This Is Where I Leave You”

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by the...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Molly’s Game” & “I Love You, Daddy”

  MOLLY’S GAME (STX):  Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work.  His...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “The Meddler”

  Lorene Scafaria’s THE MEDDLER spins its way past so many potential crash sites that it’s practically an example of cinematic stunt-driving.  The premise itself is something out of a thousand terrible sitcoms...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “I Am Mother” & “The Lodge”

  I AM MOTHER (no distrib):  Grant Sputore’s impressively controlled first feature brings us back to the post-apocalypse.  In Michael Lloyd Green’s script, it appears as though the only surviving remnant of h...
by Mitch Salem
 
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Reviews

THE SKED SERIES FINALE REVIEW: “Damages”

  After 5 seasons, 2 of them exclusively on DirecTV, DAMAGES and its saga of dueling attorneys Patty Hewes (Glenn Close) and Ellen Parsons (Rose Byrne) came to its close this week, mostly with a whimper.  There were no la...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 
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