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Reviews

SHOWBUZZDAILY Season Finale Review: “The Divide”

  Hardly anyone in America watched THE DIVIDE this summer, and it wasn’t because the series was some kind of bleak, off-putting experiment in reinventing the form of television drama, taking pleasure in alienating al...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Betrayal”

  All the way to the very end, BETRAYAL couldn’t get it right.  Although it hasn’t technically been canceled (as a matter of policy, networks don’t give up their legal rights to shows until the last poss...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Power”

  Remarkably little happened during the first season of POWER.  (It’s already been renewed for a second session, that is if you continue to believe that Starz doesn’t give 2-year orders that pretend to be 1-ye...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Hostages”

  The failures of HOSTAGES were many, and they separate into two dimensions.  One–the more important to CBS–was commercial; the show proved to be dead in the water from the night it premiered against the launc...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Series Finale Review: “The Astronaut Wives Club”

  THE ASTRONAUT WIVES CLUB never achieved much in the way of lift-off, and although ABC knew it was coming–there was a reason it was pushed to a summer run as the lead-in to Mistresses–the show’s flat qua...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Hell On Wheels”

  HELL ON WHEELS – Saturday 9PM on AMC Season 3 brings an upwardly mobile turn for HELL ON WHEELS.  Hero Cullen Bohannon’s (Anson Mount) dark mission of vengeance for the death of his wife during the Civil War...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Power”

  In its second season, Courtney Kemp Agboh’s POWER solidified its position as Starz’s biggest original hit, and it was a considerably better drama, too.  Partly that was because of Season 1’s weird stru...
by Mitch Salem
 
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Pilot Reports

SHOWBUZZDAILY Series Premiere Review: “The Expanse”

  THE EXPANSE:  Tuesday 10PM on Syfy – If Nothing Else Is On… The one thing we can tell conclusively about Syfy’s new series THE EXPANSE from its first hour is that it’s in no hurry.  The hour, wh...
by Mitch Salem
 
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Pilot Reports

SHOWBUZZDAILY Series Premiere Review: “A Million Little Things”

  A MILLION LITTLE THINGS:  Wednesday 10PM on ABC ABC’s A MILLION LITTLE THINGS is about as ambitious as broadcast TV intends to get this season, which in this case means This Is Us by way of The Big Chill.  As in ...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Mr. Selfridge”

  MR. SELFRIDGE, which might as well be called “Downton Abbey Won’t Be Back For 10 Months, So What Else Are You Gonna Watch?”, concluded its second, very earnest season on PBS tonight.  World War I came ...
by Mitch Salem
 
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2014-15 TV Season

THE SKED Fall Pilot Report: FOX’s “Gracepoint”

  GRACEPOINT:  Thursday 9PM on FOX starting October 2 – Potential DVR Alert PLAYERS:  Broadchurch, the wildly successful limited (and now continuing) British TV series, of which Gracepoint is a remake.  Broadchurc...
by Mitch Salem
 
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Midseason Finale

SHOWBUZZDAILY Season Finale Review: “Shades of Blue”

  Over the course of its season, NBC’s SHADES OF BLUE muddled its way from being a broadcast network-lite version of a gritty cable cop drama to a more conventional heist thriller.  It was flawed in both contexts, b...
by Mitch Salem
 
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Reviews

THE SKED Season Finale Review: “Reign”

  The idea of planting Mary, Queen of Scots in the middle of the CW line-up, a 16th century monarch among the network’s assortment of wisecracking vampires, werewolves, demons and other supernatural creatures, seemed...
by Mitch Salem
 
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Midseason Premiere

THE SKED Midseason Premiere Review: “Dallas”

  DALLAS:  Monday 9PM on TNT As TNT pushes its action-oriented “Boom” branding campaign (successfully with The Last Ship, not so much with Murder In the First nor apparently the new Legends), DALLAS seems more...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “True Detective”

  The idea of applying a deep coat of existential angst to thriller conventions isn’t new–every Sundance Film Festival has at least a couple of examples of the sub-genre, and there are even sub-sub-genres of th...
by Mitch Salem
 
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