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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Guilty,” “Lakewood” & “The Starling”

  THE GUILTY (Netflix – Oct. 1):  One way to cope with the challenges and costs of movie production during Covid is to limit the number of actors who have to be in front of the camera.  That’s tough for a thr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Bergman Island,” “True Things” & “France”

  BERGMAN ISLAND (IFC – Oct. 15):  Mia Hansen-Love’s Bergman Island asks to be poked and scrutinized in several ways.  It takes place on the island of Faro, where Ingmar Bergman filmed some of his most celebr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Good House,” “Where Is Anne Frank” & “Official Competition”

  THE GOOD HOUSE (DreamWorks – TBD):  By my count, it’s been two full decades since Sigourney Weaver was at the center of a feature film (that was Heartbreakers, where she shared the spotlight with Jennifer Lo...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Worst Person In The World,” “Encounter” & “Compartment No. 6”

  THE WORST PERSON IN THE WORLD (Neon – TBD):  The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Forgiven,” “Dashcam” & “Montana Story”

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Mich...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Eyes of Tammy Faye,” “Sundown” & “The Mad Women’s Ball”

  THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Monster” & “Beirut”

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s goin...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Belfast,” “Benediction” & “Jagged”

  BELFAST (Focus/Universal – Nov. 12):  Kenneth Branagh’s semiautobiographical film walks a path laid by many great works by master filmmakers, including Fellini’s Amarcord, John Boorman’s Hope and...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Humans,” “The Electrical Life of Louis Wain” & “The Wheel”

  THE HUMANS (A24/Showtime – Nov. 24):  There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen.  One is to “open it up,” adding...
by Mitch Salem
 
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2021-22 TV Season

SHOWBUZZDAILY Toronto Film Festival Review: “The Survivor,” “Charlotte” & “I’m Your Man”

  THE SURVIVOR (no distrib):  So many films and television productions have tackled the subject of the Holocaust over the decades that it takes real effort to break through with a story that feels fresh.  Barry Levinson&...
by Mitch Salem
 
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Film Festival

Toronto Film Festival 2024 Reviews: “The Shrouds” & “Bird”

  THE SHROUDS (no distrib):  At age 81, David Cronenberg’s fascination with the malignant possibilities of the human body, and with the fiendish manipulation of same, still knows no bounds.  The Shrouds begins wi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “One Second,” “Wolf” & “Silent Night”

  ONE SECOND (Neon – TBD):  Zhang Yimou’s film was notoriously the subject of controversy with the Chinese government, which held it back from its originally scheduled film festival debut in 2019, and forced s...
by Mitch Salem
 
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