MEN IN BLACK 3: Watch It At Home – $250M Worth of “OK” After years of development, a famously troubled production, untold rewrites and a budget that even Sony admits is around $250M (meaning $400M+ wi...
THE AMAZING SPIDER-MAN: Watch It At Home – Not So Amazing Part of the unwritten suspension of disbelief deal we have with the movie studios is that although we know they’re going to constantly tell u...
ZOOKEEPER – Not Even For Free: Isn’t There An ASPCA For Audiences? Let’s put off talking about ZOOKEEPER–it’s terrible, for those with no time to spare–by mentioning the trail...
With hundreds of millions of dollars on the line, the opening dates for blockbuster movies are carefully calculated months–sometimes years–in advance. So a last minute change doesn’t come from nowhere...
FRIENDS WITH BENEFITS – Worth A Ticket: Almost Great For about an hour, as you watch his new FRIENDS WITH BENEFITS, you could be forgiven for thinking that writer-director Will Gluck is the future o...
GROWN UPS 2: Not Even With A Gun To Your Head – Is It Time For the Razzies Yet? One can’t lightly dismiss Adam Sandler. After the first Grown Ups, it seemed implausible that he could make a movie even wor...
30 MINUTES OR LESS – Watch It At Home: Doesn’t Deliver The frustration of 30 MINUTES OR LESS is that of all the R-rated comedies this summer, it was the one with the most original premise and promisi...
WORLDWIDE STUDIO SCORECARD. Universal and Warner Brothers again flipped positions in the year to date worldwide box office chart. Universal didn’t have much this week (the lame domestic opening of Kick-Ass 2 and some ...
COLOMBIANA – Not Even For Free: Even the Body Count Is Dull For a movie from the Luc Besson House of Action, COLOMBIANA is surprisingly listless and dispirited. Besson first came to prominence as a direc...