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Film Festival

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily Sundance Film Festival Reviews: “Monster” & “Beirut”

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s goin...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance 2015 Review: “Zipper”

  The title ZIPPER suggests something wittier and more enticing than Mora Stephens’ well-made melodrama turns out to be.  If a filmmaker is determined to reexamine the familiar story of a politician who can’t...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Capsule Reviews

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so a...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Late Night” & “Paradise Hills”

  LATE NIGHT (Amazon):  It’s legitimate to note that the thoroughly mainstream and commercial Late Night belonged at Sundance just about as much as The Devil Wears Prada would have, since to a large extent it transp...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “CODA” & “Censor”

  A year ago, the idea of a “virtual film festival” would have seemed extremely far-fetched, but it’s become a regular practice in pandemic times.  The latest festival to take this path is Sundance, whic...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance 2015 Review: “The Bronze”

  THE BRONZE is an entertaining but standard-issue R-rated American comedy, equal parts Bad Teacher and any Danny McBride vehicle, which makes one wonder what it’s doing in the Dramatic Competition line-up at the S...
by Mitch Salem
 
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