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Posts Tagged ‘The Chosen box office’
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Behind the US/Worldwide Weekend Box Office – 3.3.2024

  OPENINGS:  DUNE: PART TWO (Legendary/Warners) landed at the high end of projections with $81.5M.  Comparisons with the 2021 Dune have little meaning, since that film was part of the studio’s controversial year of...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.25.2024

  OPENINGS:  In what Hollywood hopes will be the last weekend of drought for a while, the TV episodes packaged as DEMON SLAYER:  KIMETSU NO YAIBA – TO THE HASHIRA TRAINING (Crunchyroll/Sony) led the newcomers with ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.18.2024

  OPENINGS:  The calendar did Hollywood a favor by placing Valentine’s Day on Wednesday, affording films a 6-day window with Presidents Day on Monday.  The chief beneficiary was BOB MARLEY: ONE LOVE (Paramount), wh...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.4.2024

  OPENINGS:  ARGYLLE (Apple/Universal) arrived within blah expectations at $18M.  That makes it the third consecutive wildly expensive theatrical flop for Apple (with worldwide marketing included, costs were around $300M...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.5.2023

  OPENINGS:  KNOCK AT THE CABIN (Universal) won the eternal footnote that it was the film to finally dethrone Avatar 2 at the top of the box office, but its $14.2 start was at the low end of expectations, below the $16.8M...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11.27.2022

  OPENINGS:  STRANGE WORLD (Disney) couldn’t muster any significant family audience over the Thanksgiving holiday, with $18.6M for the full 5 days and $11.9M for the 3-day weekend.  Nor did it have appeal overseas,...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11.20.2022

  OPENINGS:  The $9M start for THE MENU (Searchlight/Disney) was below the $10.1M launch of Barbarian–and The Menu cost about $20M more to produce.  Combine that with the fact that The Menu is really more of a very...
by Mitch Salem
 
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