MARGIN CALL: Worth A Ticket – The Real Sequel to”Wall Street” MARGIN CALL is smarter and more gripping than Moneyball and The Ides of March combined–and those are two smart, grippi...
> Since we last saw our rag-tag band of survivors, they’ve had to endure the loss of their leader, the man most responsible for mapping out their initial strategies and saving them along the way from all manner of deadly ...
THE THING: Watch It At Home – Not Interesting Enough To Be Scary The third movie iteration of THE THING is as impersonal as the creature it’s about. This version, the first feature directed ...
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
> AMERICAN HORROR STORY – Wednesdays 10PM on FX – Potential DVR Alert The first inkling of just how deranged AMERICAN HORROR STORY is going to be comes with one of the early “normal” scenes. The lo...
PUNCTURE: Worth A Ticket – A Bracingly Dark Ride No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around. “Unaccount...
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
STRAW DOGS: Watch It At Home – Pointless In Every Way Forget about the artistic comparisons, the insult to film history, and the lack of respect to a great filmmaker no longer with us. There’...
> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the m...
> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...