Posts Tagged ‘thriller’
 

 

THE SHOWBUZZDAILY REVIEW: “The Thing”

    THE THING:  Watch It At Home – Not Interesting Enough To Be Scary   The third movie iteration of THE THING is as impersonal as the creature it’s about.  This version, the first feature directed ...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Prisoners”

  The prevailing atmosphere in Denis Villenueve’s PRISONERS will be familiar to anyone who’s been watching cable TV drama for the past few years.  Gloom, grief, hopelessness, helpless rage–it’s h...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “American Horror Story”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Homeland”

  HOMELAND:  Sunday 10PM on Showtime WHERE WE WERE:  Wincing, as bipolar CIA agent Carrie Mathison (Claire Danes) underwent electroshock therapy, which we knew was going to make her forget the proof she had that former P...
by Mitch Salem
 

 

 

ShowbuzzDaily’s Sundance 2022 Reviews: “Living,” “Call Jane” & “Watcher”

  LIVING (no distrib):  Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the le...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “True Blood”

HBO’s version of a summer drive-in movie is back. WHERE WE WERE:  In the midst of multiple cliffhangers.  Telepathic waitress and series heroine Sookie'(Anna Paquin) had just seen her best friend Tara (Rutina Wesley) ge...
by Mitch Salem
 

 

 

PREMIERING TONIGHT: THE SKED’S PILOT REPORT – “Zero Hour”

  ZERO HOUR:  Thursday 8PM on ABC – Potential DVR Alert ZERO HOUR‘s pilot is an engaging piece of nonsense, but whether it can work as a continuing TV series is another question.  The premise is a DaVinci Cod...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Zero Dark Thirty”

  ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic. ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “American Horror Story – Coven”

  AMERICAN HORROR STORY – COVEN:  Wednesday 10PM on FX Caged and tortured slaves, mid-coitus spontaneous brain aneurisms and gang rape aside, the COVEN season of AMERICAN HORROR STORY was relatively restrained in it...
by Mitch Salem
 

 

 

THE SKED NETFLIX REVIEW: “House of Cards” Episodes 1-2

  The historical significance of HOUSE OF CARDS in the evolution of television is by now well-established.  It’s the first original production created specifically for Netflix, and the company made its first bet a h...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

  NANNY (no distrib):  Think Netflix’s Maid, but as a (sort of) horror movie.  Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “The Raven”

      THE RAVEN:  Watch It At Home – Not Much Tell-Tale Heart (Or Brain)   Sometimes less-than-great minds think alike, too.  The idea of Edgar Allen Poe as a detective investigating strange phenomen...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 

 

 
 
 
 
 
 
by Mitch Salem
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