Posts Tagged ‘Toronto Film Festival review’
 

 

SHOWBUZZDAILY Toronto Film Festival Review: “London Road”

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show&#...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “The Meddler”

  Lorene Scafaria’s THE MEDDLER spins its way past so many potential crash sites that it’s practically an example of cinematic stunt-driving.  The premise itself is something out of a thousand terrible sitcoms...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “You Are Here”

  If there were no credits on the new comedy-drama YOU ARE HERE, it would almost be inconceivable that an audience member would imagine it coming from the typewriter of Matthew Weiner, the creator of Mad Men.  It’...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Being Charlie”

  Sadly, the phrase “BEING CHARLIE is Rob Reiner’s best film in years” doesn’t mean nearly as much as it once would have.  After a decade where he could do no wrong, he has, incredibly enough, been...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “The Martian”

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly craft...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Humbling”

  THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Paci...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Trumbo”

  It’s an unfortunate irony that TRUMBO, the story of one of Hollywood’s great blacklisted screenwriters, is undermined by an inadequate script.  It’s written by John McNamara, also the man behind NBC...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “12 Years A Slave”

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it w...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “The Theory of Everything”

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival/Series Premiere Review: “Heroes Reborn”

  HEROES REBORN:  Thursday 8PM on NBC, starting September 24   This year, for the first time, the Toronto Film Festival has included a slate of television productions from around the world in its line-up, formalizing...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Spotlight”

  Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common.  Last year we had the British biographies The Theory of Everything and The Imitation Game, which might ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “The Judge”

  THE JUDGE (Warners) – Opens October 10 – Watch It At Home Since the first Iron Man opened, Robert Downey Jr. has been one of the world’s biggest (and wealthiest) stars.  But he hasn’t used his su...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Rush”

  The writer Peter Morgan is a whiz at boring into little-remembered (and in the US, sometimes little-known) crannies of recent history and scooping out the rich drama inside, with scripts like The Deal, Frost/Nixon and Th...
by Mitch Salem