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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Jojo Rabbit” & “Seberg”

  JOJO RABBIT (Fox Searchlight – October 4):  The discourse about Taika Waititi’s Jojo Rabbit has quickly become a debate between those who think its Nazi-era black comedy is authentically daring, and those wh...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL Day 6 Capsule Reviews: “La La Land,” “Deepwater Horizon, “Brimstone” & “Wakefield”

  LA LA LAND (Summit/Lionsgate – December 2):  No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplas...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Forgiven,” “Dashcam” & “Montana Story”

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Mich...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Beautiful Boy,” “Homecoming” & “Vox Lux”

  BEAUTIFUL BOY (Amazon/October 12):  A true-life story of drug addiction told with sincerity and superb acting, but which can’t shake the feel of generic problem drama.  Felix Van Groeningen’s film (co-writt...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Dolemite Is My Name,” “My Zoe” & “Briarpatch”

  DOLEMITE IS MY NAME (Netflix – October 4 in theatres/October 25 streaming): Putting aside his strong dramatic turn in Dreamgirls, it’s been an incredible 20 years, dating back to 1999’s Bowfinger, since...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL Day 7 Capsule Reviews: “Paterson” & “The Salesman”

  Note:  this will be our final installment of Toronto reviews, although the festival runs on until Sunday. It’s been a good if not classic festival, with a trio of legitimately great presentations in La La Land, Ja...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Guilty,” “Lakewood” & “The Starling”

  THE GUILTY (Netflix – Oct. 1):  One way to cope with the challenges and costs of movie production during Covid is to limit the number of actors who have to be in front of the camera.  That’s tough for a thr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Widows” & “The Front Runner”

  WIDOWS (20th – Nov. 16):  Widows is a genre movie that isn’t sure it wants to be one.  That’s not a shock, because the idea of the aesthete director Steve McQueen, of Hunger, Shame and 12 Years A Slav...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Knives Out” & “A Beautiful Day In The Neighborhood”

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you thi...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Death of Stalin,” “I, Tonya” & “Kodachrome”

  KODACHROME (no distrib):  AKA that page of the indie movie playbook marked “Dysfunctional Family Road Trip To Redemption.”  Jonathan Tropper (This Is Where I Leave You) wrote the script, and it has his nove...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Belfast,” “Benediction” & “Jagged”

  BELFAST (Focus/Universal – Nov. 12):  Kenneth Branagh’s semiautobiographical film walks a path laid by many great works by master filmmakers, including Fellini’s Amarcord, John Boorman’s Hope and...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Hate U Give” & “The Hummingbird Project”

  THE HATE U GIVE (20th – October 19):  YA radicalization.  George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an Afric...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Marriage Story” & “Bad Education”

  MARRIAGE STORY (Netflix – November 6 in theatres/December 6 streaming):  A film doesn’t have to be revolutionary to be great.  There may be no subjects more intensively depicted in movies and on television ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Molly’s Game” & “I Love You, Daddy”

  MOLLY’S GAME (STX):  Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work.  His...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Eyes of Tammy Faye,” “Sundown” & “The Mad Women’s Ball”

  THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available...
by Mitch Salem
 
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