Posts Tagged ‘Toronto Film Festival’
 

 

Toronto Film Festival Reviews: “Glass Onion” & “Pearl”

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M wo...
by Mitch Salem
 

 
 

Toronto Film Festival Reviews: “The Inspection” & “Emily”

  THE INSPECTION (A24 – November 14):  Back in 1983, Robert Altman directed the film version of David Rabe’s play Streamers, about a Vietnam-era boot camp that turned even more violent and vicious with the cat...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Rust and Bone”

‎ Jacques Audiard doesn’t do sentimental. His last film, A Prophet, had the clear-eyed view of crime and the dramatic heft of a French version of “The Wire,” and his new and very different drama RUST & B...
by Mitch Salem
 

 
 

Toronto Film Festival Reviews: “The Fabelmans” & “The Eternal Daughter”

  THE FABELMANS (Universal – November 11):  Like all superheroes, Steven Spielberg has an origin story, and he tells it in The Fabelmans, whose world premiere was far and away the signature event of this year’...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “The Boy and the Heron,” “Dumb Money” & “North Star”

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Worst Person In The World,” “Encounter” & “Compartment No. 6”

  THE WORST PERSON IN THE WORLD (Neon – TBD):  The Norwegian filmmaker Joachim Trier, despite being a subject of critical raves over the years, hasn’t penetrated the space where arthouse favorites become known...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “The Wonder” & “What’s Love Got To Do With It?”

  THE WONDER (Netflix – November 16):  In the time of Ireland’s Great Famine, 11-year-old Anna (Kila Lord Cassidy) claims to have survived for 4 months without eating even one bite of food.  Is she a miracle,...
by Mitch Salem
 

 
 

Toronto Film Festival Reviews: “Rustin,” “Memory” & “Fingernails”

  RUSTIN (Netflix – Nov. 17):  The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and stur...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “The Good Nurse” & “My Policeman”

  THE GOOD NURSE (Netflix – Oct. 26):  An unusually serious thriller about a serial killer.  Tobias Lindholm’s film, from a script by Krysty Wilson-Cairns (who wrote 1917 and  Last Night In Soho) and based o...
by Mitch Salem
 

 
 

Toronto Film Festival Review: “The Greatest Beer Run Ever”

  THE GREATEST BEER RUN EVER (Apple – September 30):  Peter Farrelly’s Green Book was one of the clearest beneficiaries of winning Toronto’s People Choice Award, vaulting from being entirely under the aw...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “The Banshees of Inisherin” & “The Son”

  THE BANSHEES OF INISHERIN (Searchlight/Disney – October 21):  After a sojourn in America with 3 Billboards Outside Ebbing, Missouri and Seven Psychopaths, Martin McDonagh returns to Ireland with the comic tragedy ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “On the Road”

  ON THE ROAD – Worth A Ticket – Kerouac’s Classic Is Beautiful and Atmospheric But Lacks Urgency ON THE ROAD, as a novel and now as a film adaptation, is so enmeshed with the mythology of the real-life p...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “Empire of Light” & “Triangle of Sadness”

  EMPIRE OF LIGHT (Searchlight/Disney – December 9):  Sam Mendes takes the first solo screenwriting credit of his long career on Empire of Light, a personal film inspired by his youth and his mother.  The story is ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Frances Ha” & “Imogene”

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may ...
by Mitch Salem
 

 

 

Toronto Film Festival Reviews: “Bros” & “Butcher’s Crossing”

  BROS (Universal – Sept. 30):  Notwithstanding its occasional meta self-deprecation, it’s clear that Nicholas Stoller and Billy Eichner (both writer/producers and respectively director and star) want Bros to ...
by Mitch Salem