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THE BIJOU REVIEW “The Descendants”

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which w...
by Mitch Salem
 
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THE BIJOU @ TIFF: First Titles Announced

>SHOWBUZZDAILY will be at the Toronto International Film Festival in September, and today TIFF announced the first group of movies being screened (there are plenty more to come over the next few weeks).  Here’s the f...
by Mitch Salem
 
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SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 
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SHOWBUZZDAILY @ TORONTO: “Argo”

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, ...
by Mitch Salem
 
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SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...
by Mitch Salem
 
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THE BIJOU @ TIFF: Toronto Film Festival Recap

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the re...
by Mitch Salem
 
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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 
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THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem
 
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THE BIJOU @ TIFF: Judgment Day

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Michel Hazanavicius’ “The Artist”

> The Artist is a beautiful film hot-house flower, designed to flourish in the rarefied atmosphere of festivals and gatherings of cineastes. It’s a curio that will be cherished by some, and probably ignored by most of the...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Moth Diaries”

> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her n...
by Mitch Salem
 
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THE BIJOU @ TIFF: Whit Stillman’s “Damsels In Distress”

> Whit Stillman has one of the most distinctive voices in American film, and his 13-year absence from the screen barely shows in his new comedy DAMSELS IN DISTRESS; it feels as though, had it been made immediately after The Las...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Rampart”

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMP...
by Mitch Salem
 
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THE BIJOU @ TIFF: Festival Titles, Round 2

> The Toronto Film Festival has announced its second helping of titles for next month’s worldwide gathering of film professionals and fanatics.  These may be less star-studded than the last group of films announced, ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 
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