Posts Tagged ‘tv reviews’
 

 

THE SKED CABLE REVIEW: USA’s “Necessary Roughness”

> Premieres Wednesday 10PM on USA:  Change the Channel NECESSARY ROUGHNESS departs from the USA Network formula in several ways:  our heroine Dani Santino (Callie Thorne) is the mother of teenagers, she doesn’t ...
by Mitch Salem
 

 
 

THE SKED’S SEASON FINALE REVIEW: “The Office”

  The thing to remember, when charting the collapse of THE OFFICE, is that the producers weren’t taken by surprise.  Steve Carell made it clear early last season that he wouldn’t be returning, and the show had...
by Mitch Salem
 

 

 

THE SKED MIDSEASON RETURN: ‘Whitney”

> NBC’s WHITNEY hasn’t really had much of a midseason break, but tonight marked its move from a cushy home on Thursday night, where it aired behind the network’s only hit, The Office, to the much more challeng...
by Mitch Salem
 

 
 

PREMIERING TONIGHT–THE SKED FALL PILOT REPORT: ABC’s “The Neighbors”

  THE NEIGHBORS:  Wednesday 8:30PM ABC – Change The Channel It could have been worse.  Initially, ABC slotted THE NEIGHBORS, which is just a New Normal away from being the worst new sitcom of the fall, in the netwo...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Bunheads”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “The Newsroom”

  A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may ...
by Mitch Salem
 

 

 

THE SKED REVIEW: “Boss”

> BOSS:  Fridays 10PM on Starz – Potential DVR Alert BOSS is Starz’s bid to be taken seriously as a pay-TV producer of original programming.  Up until now, Starz has been both successful (Spartacus) and no...
by Mitch Salem
 

 
 

PREMIERING TONIGHT–THE SKED’S FALL PILOT REPORT: CBS’s “Made In Jersey”

  MADE IN JERSEY:  Friday 9PM on CBS – Change the Channel CBS is the network of The Good Wife, but don’t get your hopes up for its new legal drama MADE IN JERSEY.  This one is a thin example of why the words ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “How I Met Your Mother”

  In HOW I MET YOUR MOTHER, Carter Bays and Craig Thomas created an odd but appealing mix of traditional sitcom humor and conceptual originality (their upcoming FOX show The Goodwin Games looks like another unusual angle o...
by Mitch Salem
 

 
 

THE SKED FALL TRAILER REVIEW: ABC’s “666 Park Avenue”

    666 PARK AVENUE:  Sunday 10PM on ABC   WHAT IT’S SAYING:  The Devil’s Advocate, Rosemary’s Baby and The Shining in a stunning NY apartment, and fielding an all-star team of ABC veterans (T...
by Mitch Salem
 

 

 

THE SKED PREMIERE REVIEW: “The Finder”

> THE FINDER – Thursdays 9PM on FOX – If Nothing Else Is On… THE FINDER has already had a pilot of sorts, which aired last season as an episode of BONES.  While the series is based on the character Walter...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE WATCH: “Terra Nova”

> Warning:  Spoilers Ahead Here, in the end, is all you needed to know about TERRA NOVA:  in its entire 2-hour season–and very possibly series–finale, dinosaurs were sighted for a grand total of about 2 mi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Raising Hope”

> Greg Garcia’s RAISING HOPE, like his My Name Is Earl, has a very particular chaotically surreal good-naturedness.  (The 2 shows exist in the same meta-universe, and Hope often nods to Earl–in tonight’s ...
by Mitch Salem
 

 
 

THE SKED FALL PILOT REPORT: CBS’s “Vegas”

  VEGAS:  Tuesday 10PM on CBS – Potential DVR Alert VEGAS is CBS’s version of swinging for the fences, which is to say that it can also be seen as a neon-lit, gold-edged version of Longmire.  This time the wi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “A Gifted Man”

> When A GIFTED MAN came onto the scene, it had all the high-class auspices a new series could want.  The pilot was directed by Academy Award-winner Jonathan Demme, was written by Susannah Grant (Eric Brockovich) and had a...
by Mitch Salem