Posts Tagged ‘tv reviews’
 

 

THE SKED SEASON FINALE REVIEW: “Hart of Dixie”

  CW’s good-humored not-Gilmore Girls small town romance HART OF DIXIE concluded its first season tonight with the same pleasant, likable, unthrilling touch it’s had since last fall. Hart isn’t really abo...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Suburgatory”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Californication”

> CALIFORNICATION lost a step this season, which is what often happens when a series of limited scope reaches Year 5.  Unlike other Showtime series like Weeds and Dexter, Californication has never had the appetite for seas...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Boss”

> BOSS:  Fridays 10PM on Starz – Potential DVR Alert BOSS is Starz’s bid to be taken seriously as a pay-TV producer of original programming.  Up until now, Starz has been both successful (Spartacus) and no...
by Mitch Salem
 

 

 

THE SKED REVIEW: “American Horror Story”

> AMERICAN HORROR STORY – Wednesdays 10PM on FX – Potential DVR Alert The first inkling of just how deranged AMERICAN HORROR STORY is going to be comes with one of the early “normal” scenes.  The lo...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Political Animals”

  POLITICAL ANIMALS remained uncompelling to the very end, which is remarkable when you consider that its final episode threw in, among other things, the (apparent) death of the President of the United States.  The show ...
by Mitch Salem
 

 

 

THE SKED REVIEW: “Hatfields & McCoys” Episode 2

  The second 2-hour chunk of the newly anointed most popular scripted show in the history of basic cable, History’s HATFIELDS & MCCOYS, was much like the first episode:  a strong opening hour followed by a secon...
by Mitch Salem
 

 
 

THE SKED PILOT + 1 REVIEW: “Common Law”

  A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Hell On Wheels”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Scandal”

      The crazier SCANDAL has gotten, the better it’s been.  Although the Shonda Rhimes soap only had a 7-episode run this Spring, it’s managed to find its footing quickly.  The first few episodes w...
by Mitch Salem
 

 

 

PREMIERING TONIGHT–THE SKED’S FALL PILOT REPORT: ABC’s “Last Resort”

  LAST RESORT: Thursday 8PM on ABC – Potential DVR Alert The strangest new show on any network this season may be LAST RESORT, created and written by the man behind The Shield, Shawn Ryan, with Karl Gajdusek. The pro...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “The Good Wife”

> The title “Best Drama On Network Television” used to mean a lot more than it does these days (what’s the competition?  Parenthood has lovely moments but also its share of contrivances; Fringe and The Va...
by Mitch Salem
 

 

 

THE SKED’S FALL PILOT REPORT: ABC’s “Malibu Country”

  MALIBU COUNTRY: Friday 8:30PM starting November 2 on ABC – Worth A Look Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and re-scor...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Common Law”

  A return to COMMON LAW for its season finale didn’t show any appreciable improvement from its unimpressive early episodes.  Standards at USA Network aren’t exactly at the level of Sunday night on HBO, but Co...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “New Girl”

      It’s not all that unusual for a TV comedy to improve during the course of its first season, as it discovers its distinctive comic voice (that was the case with Happy Endings, and The Office as well).�...
by Mitch Salem