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TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson. Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...

by Mitch Salem

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TORONTO FILM FESTIVAL Day 4 Capsule Reviews: “Sing,” “Denial,” “Nocturnal Animals,” “Moonlight” & “Queen of Katwe”

For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21): Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validat...

by Mitch Salem

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TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

TORONTO FILM FESTIVAL Day 4 Capsule Reviews: “Sing,” “Denial,” “Nocturnal Animals,” “Moonlight” & “Queen of Katwe”

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