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THE BIJOU REVIEW: “Extremely Loud and Incredibly Close”

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served t...
by Mitch Salem
 
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THE CONSPIRATOR: Court In Session

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downrig...
by Mitch Salem
 
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HANNA: Children’s Hour

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conce...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Paul”

    Watch it at home.   The genial PAUL really only has one joke–luckily it’s a pretty good one: what if ET had the persona of Seth Rogen? While Paul isn’t the first alien to crack jokes (rememb...
by Mitch Salem
 
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SOURCE CODE: If At First You Don’t Succeed…

> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result.  But that diagnosis doesn’t allow for this:  a man (Jake Gyllenhaal) wakes up an...
by Mitch Salem
 
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ZOOM IN: Saoirse Ronan in Joe Wright’s “Atonement”

> Saoirse Ronan stars in Joe Wright’s HANNA, opening April 8. See It On Any Screen Saoirse Ronan only appears in the first 50 minutes or so of Joe Wright’s film of the Ian McEwan novel ATONEMENT, playing the young B...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Rampart”

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMP...
by Mitch Salem
 
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