Archive for November, 2024
 

 

SHOWBUZZDAILY FRIDAY NETWORK SCORECARD – 2.8.2019

  Only one show made it to a 1.0 rating.  DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 rat...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD – 2.20.2019

  A crossover night boosted NBC’s CHICAGO ratings. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Oscars Live-Blog

  Movie audiences can’t get enough of watching things blow up, and tonight’s ACADEMY AWARDS has the potential to explode before our very eyes.  Everyone knows the litany of what’s gone awry along the way...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Proven Innocent”

  PROVEN INNOCENT:  Friday 9PM on FOX PROVEN INNOCENT is even worse than you might expect from a broadcast drama that premieres on a Friday in February.  The creator is David Elliot, whose previous scripts have mostly be...
by Mitch Salem
 

 

 

UPDATED: SHOWBUZZDAILY’s Top 150 Thursday Cable Originals & Network Finals: 1.31.2019

        NETWORK FINALS:  YOUNG SHELDON lost 0.1 in final numbers.         Broadcast Official Nationals Program Ratings Chart     CABLE HIGHLIGHTS:  TNT’s NBA doubleheader wa...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 2.5.2019

  The STATE OF THE UNION Address aired on 4 networks, scoring highest on NBC. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographic...
by Mitch Salem
 

 

 

UPDATED: SHOWBUZZDAILY SUNDAY NETWORK SCORECARD – 2.24.2019

    UPDATE:  THE OSCARS had a very healthy adjustment to a 7.7 final rating, up 1.1 from the preliminary number.  Last year, the adjustment was only 0.4 for a final 6.8.  Total viewers ended up at 29.6M, up from la...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Sundance Film Festival Review: “The Farewell”

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Brittany Runs A Marathon” & “Big Time Adolescence”

  BRITTANY RUNS A MARATHON (Amazon):  Paul Downs Colaizzo, previously a playwright, makes a remarkably assured film writing/directing debut with Brittany Runs a Marathon, which features a breakout star performance by Jill...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Lego Movie 2” Cracks, “What Men Want” & “Cold Pursuit” OK

  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) is looking like a textbook example of a studio watering down its own franchise.  Warners jumped into 2 spin-offs before even reaching its first official sequel, and ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY THURSDAY NETWORK SCORECARD – 2.7.2019

  A big night for CBS’s sitcoms. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD – 2.6.2019

  THE WORLD’S BEST didn’t rate that way. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and...
by Mitch Salem
 

 

 

UPDATED: SHOWBUZZDAILY’s Top 150 Tuesday Cable Originals & Network Finals: 2.5.2019

        NETWORK FINALS:  THE KIDS ARE ALRIGHT, ROSWELL NEW MEXICO and the rerun of THE MASKED SINGER all lost 0.1 in final numbers.         Broadcast Official Nationals Program Ratings C...
by Mitch Metcalf
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.3.2019

  OPENINGS:  It’s possible to make money on Super Bowl weekend, as hits like Dear John ($30.5M), Taken ($24.7M) and Chronicle ($22M) have shown.  But MISS BALA (Columbia/Sony) didn’t have what it takes, with ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Reviews: “Late Night” & “Paradise Hills”

  LATE NIGHT (Amazon):  It’s legitimate to note that the thoroughly mainstream and commercial Late Night belonged at Sundance just about as much as The Devil Wears Prada would have, since to a large extent it transp...
by Mitch Salem