It’s a very good weekend to be a Weinstein. First Weinstein Company’s The Master set new per-theatre records for a live-action movie release without a stage show, and now the tidings from Toronto are lined with gold: David O. Russell’s SILVER LININGS PLAYBOOK, the studio’s romantic comedy-drama starring Bradley Cooper, Jennifer Lawrence and Robert DeNiro, has won the Toronto International Film Festival’s People’s Choice Award. Toronto doesn’t have any kind of festival jury, so this award, voted on by actual audience members, is the festival’s top prize. (UPDATE: 2d place for the award went to Ben Affleck’s ARGO, and 3d place to the Middle East-set ZAYTOUN.)
The Toronto People’s Choice Award may also be the only festival prize that really means something in the Oscar race. While no guarantee of success (last year’s winner was the Iranian Where Do We Go Now), in recent years winners have included Slumdog Millionaire and The King’s Speech, which didn’t fare too badly in awards season, and the 1999 win for Anerican Beauty put that film, and the festival itself, on the map.
Silver Linings Playbook opens to the general public on November 21.
(UPDATE: The Festival’s other Audience Prize, limited to Midnight Madness genre titles, went to Martin McDonagh’s SEVEN PSYCHOPATHS, the glam event of that program. Psychopaths will be released by CBS Films on October 12. 2d place went to Barry Levinson’s THE BAY, and 3d place to Don Coscarelli’s JOHN DIES AT THE END.)
Related Posts
-
THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”
SILVER LININGS PLAYBOOK: Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing SILVER-LININGS PLAYBOOK, opening today in limited release and gradually spreading across the through…
-
SHOWBUZZDAILY Toronto Film Festival Review: “The Program”
THE PROGRAM feels entirely useless. With an authoritative documentary about the Lance Armstrong story already in wide distribution (Alex Gibney’s excellent The Armstrong Lie), the only reason to attempt a scripted version of the story would be to offer insights not present in the documentary material, or a cohesive…
-
SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”
Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS. The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I believe, is short for “Martin”–is trying to write. It’s also a tally that the movie keeps track…
-
SHOWBUZZDAILY Toronto Film Festival Review: “Spotlight”
Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common. Last year we had the British biographies The Theory of Everything and The Imitation Game, which might have canceled each other out in the end. This year brings two excellent stories…
-
SHOWBUZZDAILY Toronto Film Festival Review: “Room”
Despite its compact scale, Emma Donoghue’s bestselling novel ROOM was a daunting candidate for film adaptation, because so much of its impact depends on its very specific narrator’s voice, a 5-year old named Jack who has lived his entire life in the shed where his Ma (whose other name…
About the Author
Mitch Salem
MITCH SALEM has worked on the business side of the entertainment industry for 20 years, as a senior business affairs executive and attorney for such companies as NBC, ABC, USA, Syfy, Bravo, and BermanBraun Productions, and before that, at the NY law firm of Weil, Gotshal & Manges. During all that, he has more or less constantly been going to the movies and watching TV, and writing about both since the 1980s. His film reviews also currently appear on screened.com and the-burg.com. In addition, he is co-writer of an episode of the television series "Felicity."
More articles by
Mitch Salem »