Anyone who’s been following the tumult in television, typified by the recently-concluded WGA strike and the ongoing-as-of-this-post SAG-AFTRA strike, knows that a key issue for the industry is that the streamers, who now dominate the programming landscape, keep their metrics deeply opaque. This is their firm policy not just with their talent, but even with the companies who produce for them. Shows go into a black box, and their renewal or cancellation fates can seem utterly random.
My colleague Mitch Metcalf, who’s worked for decades in the field of TV data analysis, has formed a new service called Metcalf Entertainment Intelligence, which provides insights and analysis of these and other industry issues. Recent articles have concentrated on the viewership of streaming series, and the state of broadcast ratings. Fans of sports programming will also find pieces dissecting those numbers, including this year’s World Series.
Check out the site for more content, as well as the other services Metcalf Entertainment Intelligence provides.
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UPDATED: THE SKED CABLE/NETWORK SCORECARD – 3/17/14
AFTERNOON UPDATE: After adjustment, THE VOICE went up 0.1 and THE BLACKLIST went down by the same amount (in the latter case, negating its small climb from 2 weeks ago). Also up by 0.1: DANCING WITH THE STARS and 2 BROKE GIRLS, in both cases raising the shows slightly…
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UPDATED: THE SKED CABLE/NETWORK SCORECARD – 1/13/14
AFTERNOON UPDATE: INTELLIGENCE added a meaningless 0.1 in final numbers, giving it a still-terrible 1.2. THE BACHELOR (up to 2.3) and MOM (2.2) also gained 0.1. MONDAY CABLE: The first Monday airing of ARCHER slipped a bit from its Thursday finale last April, down 0.1 to 1.0, but the…