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January 4, 2012
 

The Box Office Year in Review

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Written by: Mitch Salem
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>We have been covering the sagging box office in 2011 throughout the year, and now that we have official numbers through Sunday, the year has closed down 3% from 2010.  But the year is much more interesting when breaking it down by quarter.  


1st Quarter (January-March): It is shocking to look back at the early part of 2011 and see how weak the beginning of the year was: down 21% from the same period in 2010 and all the way back down to levels last seen in 2008.  Granted, the January-March 2010 period was inflated by the second wind for Avatar, but if we compare 2011 to 2009 instead, 2011 is still down a very severe 15%.  Numbers like this raised serious questions about the overall health of the industry (discontent with ticket prices, impact of the terrible macro-economy, dissatisfaction with the overall movie theater experience, unintended consequences of shortened theatrical exhibition windows, impact of piracy).  Of course, a huge factor that always needs to be examined is individual motion picture quality.  But could the roughly 30 movies released in this period be so terrible and awful that they account for a 15-21% destruction of business?  (Remember some of the gems from the early part of the year?  Season of the Witch, The Rite, Justin Bieber: Never Say Never, Big Mommas: Like Father, Like Son, Drive Angry 3D, Adjustment Bureau or Mars Needs Moms, anyone?)       

         TOTAL DOMESTIC BOX OFFICE for WIDE RELEASE FILMS
                     by Quarter ($ billions)

           2007     2008     2009     2010     2011   vs 2010

Jan-Mar   $1.973   $1.915   $2.265   $2.430   $1.930   -21%
Apr-Jun   $2.537   $2.500   $2.833   $2.619   $2.774   + 6%
Jul-Sep   $2.370   $2.362   $2.342   $2.415   $2.600   + 8%
Oct-Dec   $2.249   $2.331   $2.605   $2.348   $2.204   – 6%


Jan-Dec   $9.128   $9.108   $10.045  $9.812   $9.508   – 3%

2nd Quarter (April-June) & 3rd Quarter (July-September):  It became clear in the spring and summer that the nation’s theaters were humming again, however.  April-June was up 6% from the same period in 2010, and July-September was up an even more robust 8%.  Further, the $2.6 billion in July-September was clearly the best third quarter ever. 

4th Quarter (October-December):  Just when everything started to look sunny again, the calendar turned to Fall and the Holidays.  October-December 2011 was down 6% from last year (not a horrible drop but a complete reversal of the positive trends), but more important it was the worst 4th Quarter in at least five years.

It is impossible with these data to say how much the 3% decline this year was due to movie quality and how much weight should be given to more structural problems with the industry.  But 2012 will be a very important year to watch.  Will the box office decline for the third year in a row?  Can the 1st Quarter be successfully scheduled and marketed, particularly with the gift of such a low base in 2011 to build upon?  We’ll keep an eye on the business as the year reveals itself.    

NOTE:  The yearly box office numbers differ from industry figures reported elsewhere for two reasons: we track wide releases only (films released at 400+ theaters, accounting for 95% or more of total box office) and we define the year differently than others.  Since we track the yearly trends by week and not by individual day, we define the year as the first Monday in January through the last Sunday in January the following year.  These figures do not purport to be official industry accounting but instead a tool for identifying and isolating trends and patterns.        
                                 

 



About the Author

Mitch Salem
MITCH SALEM has worked on the business side of the entertainment industry for 20 years, as a senior business affairs executive and attorney for such companies as NBC, ABC, USA, Syfy, Bravo, and BermanBraun Productions, and before that, at the NY law firm of Weil, Gotshal & Manges. During all that, he has more or less constantly been going to the movies and watching TV, and writing about both since the 1980s. His film reviews also currently appear on screened.com and the-burg.com. In addition, he is co-writer of an episode of the television series "Felicity."