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January 7, 2018
 

Year to Date Box Office & Worldwide Studio Scorecard 1.7.2018

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio, including early 2018 dollars for films released later in 2017.

We will start tracking the 2018 studio slates in a few weeks.

Studio YTD 2017 as of 2018 Jan 07

YEAR TO DATE BOX OFFICE. A first look at 2018 year to date after only one week.

A reminder: we define the start of each year as the first Monday in January, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.)  The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

Box Office YEAR TO DATE
(billions) Week 1
North America Worldwide
2018 $0.301 $0.624 Jan 1-Jan 7
2017 $0.250 $0.626 Jan 2-Jan 8
2016 $0.219 $0.500 Jan 4-Jan 10
2015 $0.164 $0.491 Jan 5-Jan 11
2014 $0.193 $0.485 Jan 6-Jan 12

 

The past six weeks in North America are now up +11% from the same period last year and now up +14% from the four-year average for the similar six-week period ($1.444 billion).

North American Box Office PAST SIX WEEKS
(billions)
2018 $1.644 since Nov 27
2017 $1.484 since Nov 28
2016 $1.697 since Nov 30
2015 $1.224 since Dec 1
2014 $1.371 since Dec 2

 

WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2017 film rankings. The numbers in this section are only from films released wide this year (and not box office for films released late last year that carried into this year).

We will start tracking 2018 in releases in a few weeks.

International 2017 through 2018 Jan 07

International 2017 through 2018 Jan 07 part 2

PREVIOUS WORLDWIDE STUDIO SCORECARDS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.