On the TV side of its fence, this morning’s Screen Actors Awards nominations (a complete list is here) were conservative to the point of being downright boring. With the exception of House of Cards and the revived Arrested Development, not a single show or performer was nominated for a new 2013-14 series, while 30 Rock, […]
The Screen Actors Guild Awards are important, because the Actors branch is the largest single constituency of Oscar voters, but they’re also very different from the Oscars. Their major award isn’t a “Best Picture” prize, per se, but one for Best Cast–this hurts intimate dramas like Gravity and All is Lost, while helping starry […]
The American Film Institute issued its list of the year’s Top 10 movies (and television shows) today, and their selections have been quite close to the Oscar nominees over the past couple of years, so they’re worthy of some attention. There were no great surprises in the chosen 10, which AFI lists alphabetically, with […]
A messy awards season became even messier with the results of today’s critics group awards. The big prize of the day was the Los Angeles Film Critics Association, which… tied. Full results are here, but Best Picture went both to Gravity and Her, as different a pair of science-fiction stories as one can imagine. […]
Picking five dramas as the best of television (or “television,” as it’s more properly referred to these days) is a tough task, and the Writers Guild just announced its nominees, all of them worthy and yet hardly the only possible choices: BREAKING BAD, THE GOOD WIFE, HOMELAND, HOUSE OF CARDS and MAD MEN. At […]
We noted yesterday that one of the useful things a pre-Oscars awards group can accomplish is mixing new titles and talent in with the conventional wisdom pool of front-runners, and the National Board of Review did that today. A full list of its winners is here, but the headline is that the group (which […]
The last two days have launched what will be a nearly non-stop parade of movie (and some television) accolades that won’t end until early March, when the final “and the Oscar goes to” is announced at LA’s Dolby Theater. It’s a struggle that will consume millions of dollars and uncountable hours in campaigning along […]
It’s been a relatively quiet week in Oscarland: 12 YEARS A SLAVE expanded well if not phenomenally, ALL IS LOST continued to struggle at the box office despite superb reviews, DALLAS BUYERS CLUB had a moderately successful debut, while BLUE IS THE WARMEST COLOR showed little box office range. Next week will be far more […]