As will be noted endlessly by the studio and its mouthpieces all weekend, KUNG FU PANDA 3 (DreamWorks Animation/20th) is the first in the series to open in January, after June and May openings for the previous chapters. Nevertheless, DWA and 20th didn’t choose that day with the idea of earning less, and the […]
This weekend’s numbers will need some examination, with plenty of spin available in all directions. Preliminary estimates at Deadline have BOO! A MADEA HALLOWEEN (Lionsgate) a hair ahead of JACK REACHER: NEVER GO BACK (Skydance/Huahua/Shanghai Film Group/Paramount) on Friday, $9.2M vs. $9.1M. There are several reasons why this is a bigger win than it […]
The lack of any new wide openings and the arrival of the year’s Golden Globe nominations are making for a strong holdover weekend, although for some titles more than others. According to preliminary numbers at Deadline, RALPH BREAKS THE INTERNET (Disney) continued to decline rather swiftly, down 38% from last Friday to $3.5M, where Moana […]
>BREAKING DAWN PART 1: Although the huge day-after-Thanksgiving take lifted everything in the multiplex, Breaking Dawn 1 continues to run behind New Moon by 10 percent. THE MUPPETS: Still well under Tangled’s Thanksgiving gross last year, but given its moderate cost, a solid hit. HUGO:. It’s per-theatre gross is almost identical to Muppets, although it’s […]
OPENINGS: THE POSSESSION (Lionsgate) will be a convincing winner over the holiday weekend, based on a Friday that more than doubled the gross of the #2 movie. Its $6.1M was also 2/3 better than last year’s Labor Day Friday #1, The Help (which was in its 4th week of release at that point). Possession could […]
OPENINGS: THE GREAT GATSBY (Warners) opened about as well as Warners could have hoped with a $19.8M Friday (including Thursday night). Mothers Day is traditionally a big ticketselling day, especially for female-skewing films, and that should cushion the weekend to perhaps $55M despite bad reviews and unimpressive exit poll results, although there’s still […]
OPENINGS: THE WOLF OF WALL STREET (Paramount/Red Granite) fell behind American Hustle on Friday, dropping 6% to $6.3M, but considering that it’s a polarizing, 3-hour, hard-R saga that people aren’t even sure whether to call a black comedy or a drama, that’s still a fine result, and the film is likely to earn $50M+ […]
OPENINGS: AS ABOVE/SO BELOW (Universal) cost just $5M to produce, but its big-studio marketing campaign will add at least $30M to that, and after a $3.2M Friday, it’s headed for $9.5M by Sunday and $11.5M for the 4-day holiday, which will likely give it $20M at best for its entire US theatrical run. Those […]