> Hop and Universal should enjoy this weekend while it lasts: on Friday, the 3D Rio arrives and that’s probably the end of Hop‘s big numbers. As Mitch Metcalf explained elsewhere on this page, the agents for Russell Brand, Danny McBride and James Franco aren’t having a great day. Also a little nervous: Fox, which […]
OPENINGS: Is it a danger sign or just one of overexuberance that the Friday estimates for MAN OF STEEL (Warners) diminished during the day, slipping from over $50M to the final estimate of $44.1M? We’ll know a lot more on Sunday, when word of mouth has kicked in. In any case, the gigantic amount […]
> The full extent of theatre closings and other Hurricane Irene-related events isn’t yet known, so projections may be high at this point. That being said, this was never going to be a good weekend at the boxoffice: in late August, the studios don’t open their heavy hitters. What audiences there are continue to flock […]
The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns. The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M. That should give it a $21M 3-day weekend and around $30M since opening day. A $70M […]
OPENINGS: While not an outright flop like The Lone Ranger, Pacific Rim, RIPD, et. al (particularly since it cost less to produce than any of those), THE WOLVERINE (20th) is underperforming in a big way. Its estimated $21M Thursday night/Friday is the lowest start for any X-Men branded movie since the original 13 years […]
After AVENGERS: ENDGAME (Marvel/Disney) torched the record books last weekend, the remaining question was whether it would have the stamina to challenge the biggest records of them all, The Force Awakens in the US ($936.7M) and Avatar worldwide ($2.79B). It’s not clear after Friday whether this weekend will answer that in a definitive way. […]
What was supposed to be an exciting pre-summer weekend at the box office is instead looking rather blah. OPENINGS: Compared to recent YA disasters like The Mortal Instruments and Beautiful Creatures, DIVERGENT (Summit/Lionsgate) looks pretty good with a $22.8M Friday ($4.9M of it from Thursday night), up marginally from Friday night estimates. But this […]
There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood. His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]