OPENINGS: BODIES BODIES BODIES (A24) went wide after last week’s NY/LA launch and is now in 1290 theaters, with more expansion scheduled to come. A24 is reporting a $3.3M weekend, although it should be noted that this estimate assumes an extremely strong Sunday hold despite a steep drop on Saturday. No international release thus […]
Here’s an instructive piece of box office math, courtesy of Disney and The Lone Ranger. Ranger cost (including worldwide marketing) about $350M all told, and it’s going to have global theatrical revenues of about $240M. Disney is reporting that the movie will end up losing around $190M, which is $80M higher than the usual […]
Oz the Great and Powerful joins the worldwide chart just outside the top 10. With $70 million overseas to date, the foreign total should approach $300 million, making $500 million worldwide an achievable goal (behind Life of Pi in 5th place). The other films were relatively quiet overseas this past week. The next best was A Good Day to […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio, including early 2018 dollars for films released later in 2017. We will start tracking the 2018 studio slates in a few weeks. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +10% above last […]
OPENINGS: Even in a normal box office marketplace, a mild rom-com with no big-name stars like THE BROKEN HEARTS GALLERY (TriStar/Sony) probably wouldn’t have made much money, and it has both a low production budget and limited marketing costs going for it. All that being said, though, there’s nothing about a $1.1M weekend at […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -18% below last year’s comparable span (1 point better than last week) and now -16% below the average for this point the past four years ($2.351 billion). Over the same […]
OPENINGS: As studio greenlight and release strategies continue to morph, one thing that’s clear is that there will never be a shortage of low-budget horror movies. SMILE (Paramount) is the latest successful arrival with $22M, following such recent releases as Barbarian, The Invitation, Pearl, and The Black Phone. Although Smile will have to face […]
OPENINGS: PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becomes more difficult to justify a greenlight for him at that level. Pixels is reporting a very mild $24M weekend in the US (that number assumes […]